Posted on September 28, 2026

Loner review – excellent found-footage folk horror

Dawn Keetley

Written by Charlie Robb and co-directed by Robb and Douglas Tawn, the 2025 Loner is a found-footage folk horror film about a man called Angus (played by Robb) who heads out into the Northumbrian woods to vlog about “living off the land” – totally cut off from the modern world (no wi-fi, for instance). It should be noted, though, that the cabin he’s renting, advertised as an “Anonymous Retreat,” has plenty of mod cons, and he’s not exactly roughing it. That’s probably a good thing, as Angus’s efforts to film himself “living off the land” turn out to be rather comically incompetent, such as when he attempts to instruct his viewers on how to build a wilderness shelter (which isn’t a shelter) and in which he then gets hopelessly trapped.

Nature isn’t the worst of Angus’s problems, however, as he encounters increasingly strange and disturbing things. On his way into the woods, he runs across what seems to be a buried Celtic marker and a strange white rock. But then later, while he’s recording ambient forest sound, he hears a grunting and someone sobbing and whimpering. That night, a woman whom he had passed in the forest on his trek in bangs on the door of his cabin begging to be let in, screaming that she’s in danger. Angus won’t let her in – too terrified to help her, even though the woman – Eve (Kat Johns-Burke) – does not seem at all threatening. This isn’t a choice you usually see characters make in films, but Angus’s character has been developed enough at this point in the film that the choice seems believable, true to him.

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Two rooms are depicted in a dollhouse. In the first room, a doll plays the piano and stares at a flower under glass. In the other room, a dolls sits in a bed while a child peers at it through a window in the dollhouse.
Posted on September 21, 2026

Dolls and Their Houses

Special Issue #10

On this last official day of summer, we come bearing a special issue that was months in the making and – we hope you’ll agree – worth the wait. With truly stunning and thought-provoking cover art by Andrew Foley, Dolls and Their Houses features seventeen original essays exploring the varied ways dollhouses and miniatures pervade horror.

We are deeply indebted to the wonderful writers whose work makes up this issue: Jeff Ambrose, Rebecca Booth, Gabrielle Sinclair Compton, Elizabeth Erwin, Tess Ezzy, Sarah Fevri, Linda Ganus, Dawn Keetley, Paul A J Lewis, Emily Naser-Hall, Catherine Pugh, Alice Sage, Lindsey Scott, Raquel Souza, NelRae Toler, Laura Wright, and Charlotte Yule.

As always, this issue is free to read and can be enjoyed on the website, through digital download or via flipbook. You can access all of these options by visiting the Dolls and Their Houses publication landing page.

We hope you enjoy!

Posted on September 17, 2026

10 Best Agatha Christie Stories for Horror Fans

Dawn Keetley

Agatha Christie was famously a founding member of The Detection Club, a group of mystery writers formed in 1930. They crafted ten commandments about writing detective fiction, composed by member Ronald Knox, of which the second very clearly stated: “All supernatural or preternatural agencies are ruled out as a matter of course.” Sometimes, though, Christie did dabble in that other world, where there supernatural possibilities weren’t left out but were left lingering at the end – in which everything wasn’t explained, in which the rational didn’t quite prevail.

That said, many of Christie’s short stories – even those that seem expressly to be categorized as “supernatural” – are actually only superficially “supernatural,” often in the end resolving quite starkly into mysteries that are fully explained, the apparently supernatural events merely tricks and deception employed by real-life characters who are driven by the usual motives (mostly financial necessity or greed). Some dwell in horror for a significant part of their length but then resolve into an explained mystery so abruptly that the story strains under it. But, in some of her fiction, Christie didn’t employ the supernatural merely as misdirection, didn’t venture into horror terrain and then turn back at the last minute. Sometimes, she stayed there, lingering in the realm of a more ambiguous horror.

Here are Agatha Christie’s best horror stories – all of them in the collection The Last Séance: Tales of the Supernatural (HarperCollins, 2019). This list isn’t exhaustive (Christie wrote over 150 short stories) – so I’d love to hear what your favorites are.

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black and red decorative image for the Agatha Christie Reconsidered podcast
Posted on September 15, 2026

Agatha Christie Reconsidered Podcast: The Murder of Roger Ackroyd

Dawn Keetley/ Elizabeth Erwin/ Podcast

From a highly anticipated exhibition at the British Museum debuting in October to a new BBC series centering Hercule Poirot to the imminent debut of a modern Miss Marple mystery novel, Agatha Christie and her characters remain firmly in the popular culture zeitgeist an astounding fifty years after her death. In some ways, this is not unexpected of an author who has sold over a billion books. And yet, the modern agility and resonance of her stories when compared against her writing contemporaries is worth thinking about – and that is exactly what we hope to do in this seven-part podcast examining the enduring legacy of Christie’s works. We will also consider how Christie’s position as “Queen of Mysteries” has potentially erased her contributions to horror and gothic storytelling by offering an assessment of both her most famous and less so storytelling devices.

In our first episode, we take up The Murder of Roger Ackroyd, a story that will reach its 100th year milestone this year and whose unexpected twist continues to divide readers.

Please be mindful that this podcast series will contain spoilers.

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Works Cited:

Allmendinger, Blake. “Death by Hari-Kari in The Murder of Roger Ackroyd.” ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews, vol. 36, no. 3, Apr. 2023, pp. 398–99.

Bayard, Pierre. Who Killed Roger Ackroyd? The Mystery Behind the Agatha Christie Mystery. The New Press, 2001.

Berlatsky, Noah. “Getting Fooled Again: Rereading Agatha Christie’s “The Murder of Roger Ackroyd” in the Age of Trump.” The Los Angeles Review of Books, 25 May 2022.

Dey, Anindita. “The Politics of Watching in the Narratives of Detection and Crime: A Study of The Murder of Roger Ackroyd and The Erasers.” IUP Journal of English Studies, vol. 8, no. 4, Dec. 2013, pp. 7–20.

Gutkowski, Emanuela. “An ‘Investigation in Pragmatics’: Agatha Christie’s The Murder of Roger Ackroyd.” Clues: A Journal of Detection, vol. 29, no. 1, Apr. 2011, pp. 51–60.

Lanchester, John. “The Case of Agatha Christie.” London Review of Books, 20 December 2018.

Posted on September 12, 2026

We Turn Gruesome at Night Review: Confinement, Change, and Cycles of Cruelty

Guest Post

D.S. Burton

We Turn Gruesome at Night is the second installment of Eric LaRocca’s Burnt Sparrow Trilogy following 2025’s transgressive small-town horror We Are Always Tender with Our Dead. Here the horror returns to the body; not the dead, but the living body’s place in the world and with others, and what we do to satiate our need to occupy that place.

We return to Rupert and Gladys after a decade of imprisonment in End House, no longer only degraded by their warped families and community, but also themselves. End House doesn’t just feel lived in, it feels used and exhausted itself, from its too-thin walls to the familiar yet often foreign feel of worn leather and well-trod hallways. The claustrophobic atmosphere leeches into the narrative, sucking threads and characters into the house, not outward, and physicalizing the increasingly internal struggles of the series protagonists.

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