Special Issue #6

cover art of a hand reaching for a town

Cover Art by Andrew Foley

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DOCUMENTING HORROR IN HÄXAN

Erin Harrington

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FRANKENSTEIN (1931): MAKING AND REMAKING THE CREATURE

Alissa Burger

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LIKE OTHERS: READING AUTISM IN JAMES WHALE’S FRANKENSTEIN FILMS

Margaret J. Yankovich

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ACKNOWLEDGING IMPERIALISM THROUGH THE MUMMY (1932)

Jessica Parant

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STEP RIGHT UP: SIDESHOW AUTONOMY FROM FREAKS (1932) TO AMERICAN HORROR STORY: FREAK SHOW (2014-15)

Aíne Norris

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IN THE SHADOW OF THE ASYLUM: REFLECTIONS ON BEDLAM (1946)

Josh Grant-Young

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THE ‘GOLDEN ERA’ OF 3-D CREATURE FEATURES: LURING HUMANS BACK TO THE MOVIE THEATER WITH INTERACTIVE FEAR

Katherine Cottle

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“THEY KNOW IT CAN HAPPEN TO ANYONE!”: THE PROMISE OF NUCLEAR HOLOCAUST AND VACCINATION FALLOUT IN THE WEREWOLF (1956)

Zack Kruse and Justin Wigard

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REVIVING THE UNDEAD: THE RESURRECTION OF THE BRITISH EMPIRE IN DRACULA (1958)

Joseph Chang

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CONTRIBUTORS

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