Clive Tonge is from Northern England and has devoted his life to working in the film industry. While he has directed a couple of shorts, including the horror film “Sunday Best” (2011), Mara is his first feature film. Written by Jonathan Frank, Mara follows a criminal psychologist, Dr. Kate Fuller (Olga Kurylenko), as she arrives at a troubling murder site. A man is dead and it seems clear to everyone that his wife (Helena) did it. But she insists that her husband had been experiencing increasingly troubled sleep and that the night he died a “demon” entered their bedroom, sat on her husband’s chest, and choked him to death. As Kate investigates, she is led to a string of apparent strangers who have all shared the same terrifying night paralysis. More and more of them start dying inexplicably in their sleep, and soon Kate is investigating a phenomenon in which she too has become a victim.
Down a Dark Hall is directed by Spanish filmmaker Rodrigo Cortés who directed the critically-acclaimed Buried (2010). The screenplay is written by Michael Goldbach and Chris Sparling and based on the 1974 novel by the young adult author Lois Duncan (who also wrote, among others, I Know What You Did Last Summer and Killing Mr. Griffin).
In a plot reminiscent of The Craft (1996) or American Horror Story’s third season, “Coven” (2013-14), Down a Dark Hall centers on five girls with troubled pasts who arrive at Blackwood Boarding School, sent their by their parents as a kind of last resort. They are the only five students in a vast isolated mansion presided over by the mysterious Madame Duret (Uma Thurman), who soon makes it clear that the girls have special abilities that she intends to foster. And, indeed, the girls soon display talents they didn’t know they had. Protagonist Kit (AnnaSophia Robb) blossoms into a master piano player; Ashley (Taylor Russell) starts writing brilliant poetry; Sierra (Rosie Day) paints captivating landscapes; and Izzy (Isabelle Fuhrman) transforms into a math genius. Their new abilities come with a price, however, as the girls get sicker and strange figures start haunting the long dark halls of Blackwood.
Our House is the feature-length directorial debut of Anthony Scott Burns, who also directed the excellent “Father’s Day” segment of Holidays (2016), reviewed here. Nathan Parker wrote the screenplay, based on a 2010 film, Ghost from the Machine, written by Matt Osterman.
Our House is set in a time that evokes the 80s (there’s an interesting ambiguity about time that resembles what David Robert Mitchell did in 2014’s It Follows). Our House centers on genius college student, Ethan (Thomas Mann) who is obsessed with creating a machine that forges a kind of wireless network of electricity (how it works exactly was a bit obscure). His scientific obsession, in time-honored fashion (going back as far as Frankenstein), causes him to neglect his family—something he soon lives to regret when his parents are killed in a car accident. In the wake of his parents’ death, Ethan must relinquish college and his fledgling career as an inventor to get a job, drive a minivan, and take care of his two younger siblings—Matt (Percy Hynes White) and Becca (Kate Moyer). As the months struggle by, Ethan is eventually lured back to his project, and it’s not long before he discovers that the device animates the dead—and not only the recent or the happy dead. Ethan unwittingly unleashes darker spirits that start to prey on his family and his neighbor, so he must, again, give up science and devote himself to protecting his family.
The Twilight Zone (1959-64) is not only one of the most acclaimed TV series but also one of the most influential on artists of all kinds, but especially on the creators of horror. The list below identifies five episodes that in my view powerfully shaped some of our best modern horror films. There are undoubtedly more, but this is a beginning.
The 22nd Fantasia International Film Festival is coming to Montreal, Quebec, from July 12 – August 2 and, as usual, they have an amazing array of genre fare on display. Below are the horror films screening at Fantasia that we’re most excited about. The brief descriptions are from Fantasia’s website, and you’ll find more information by clicking on the link.
1. Chained for Life; dir. Aaron Schimberg; USA, 2018
“On the set of a horror film with artistic pretensions, made in the United States by a great European auteur, the beautiful Hollywood actress Mabel (Jess Weixler, from cult film TEETH) admits to being outside her comfort zone. She plays the role of a blind woman and the film she’s in, already anticipated by the media to be in bad taste, deals explicitly with deformity. The production has even brought on several disabled actors, including Rosenthal (Adam Pearson, seen in UNDER THE SKIN and DRIB), a nervous comedian with a major facial deformity. Mabel struggles to identify with him, but as their characters connect on camera, the actors do the same behind it. And as the film crew walks on the eggshells of political correctness and strange rumors begin to circulate about the abandoned hospital serving backdrop to the production, the boundaries between reality and fiction, fair representation and exploitation cinema, become excessively porous…”