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Posted on July 11, 2018

Horror Films to Watch Out for at Fantasia Festival

Dawn Keetley

The 22^nd Fantasia International Film Festival is coming to Montreal, Quebec, from July 12 – August 2 and, as usual, they have an amazing array of genre fare on display. Below are the horror films screening at Fantasia that we’re most excited about. The brief descriptions are from Fantasia’s website, and you’ll find more information by clicking on the link.

1. Chained for Life; dir. Aaron Schimberg; USA, 2018

“On the set of a horror film with artistic pretensions, made in the United States by a great European auteur, the beautiful Hollywood actress Mabel (Jess Weixler, from cult film TEETH) admits to being outside her comfort zone. She plays the role of a blind woman and the film she’s in, already anticipated by the media to be in bad taste, deals explicitly with deformity. The production has even brought on several disabled actors, including Rosenthal (Adam Pearson, seen in UNDER THE SKIN and DRIB), a nervous comedian with a major facial deformity. Mabel struggles to identify with him, but as their characters connect on camera, the actors do the same behind it. And as the film crew walks on the eggshells of political correctness and strange rumors begin to circulate about the abandoned hospital serving backdrop to the production, the boundaries between reality and fiction, fair representation and exploitation cinema, become excessively porous…”

Posted on June 30, 2018

The Devil’s Doorway and the Summer of Scary Nuns

Dawn Keetley

Stellar Irish horror film The Devil’s Doorway is the first feature film from Aislinn Clarke, a writer and director from Northern Ireland. Indeed, according to Morbidly Beautiful, which features an interview with Clarke, she is “the first woman in Northern Ireland to write and direct a produced horror film.” Devil’s Doorway was invited to showcase at BAFTA in London and was later screened at the Cannes film Festival. The film has secured international distribution, and will be released in the US by IFC Midnight on July 13, 2018.

The summer of 2018, it seems, is not only witnessing record heat but a surge of scary nuns. The trailer of the high profile film The Nun, directed by Corin Hardy, is doing the rounds at the moment. As a spin-off of the highly successful Conjuring franchise, The Nun (due to be released on September 7) will no doubt do well at the box office. But I doubt it will be as good as Devil’s Doorway. The trailer for The Nun suggest that the nuns in that film are exploited as jump scares, demonic faces appearing in the background, nuns rocketing like high speed trains from outside the frame. The nuns in Devil’s Doorway, on the other hand, are real nuns. And they are terrifying. Helena Bereen, in particular, delivers an utterly chilling performance as the Mother Superior of a Magdalene Laundry in 1960—a woman fully aware of the Church hierarchy and hating, in equal parts, the men above her and the women below her.

Posted on June 8, 2018

Us and Them and the Rise of Political Horror

Dawn Keetley

Us and Them, a British film that saw general release in the US in March, 2018, is the feature-film directorial debut of Joe Martin, who also wrote the screenplay. It follows three working-class men, Danny (Jack Roth), Tommy (Andrew Tiernan), and Sean (Daniel Kendrick), who decide to invade the home of a wealthy family—patriarch Conrad (Tim Bentinck), wife Margaret (Carolyn Backhouse), and daughter Phillipa (Sophie Colquhoun)—for, as it turns out, very different reasons. The trio is lured into crime both by a political rage that is tied to a contemporary moment of widening class inequality and by money, a motive for crime as old as money itself.

Danny is the voice of political resentment and rage. He argues that the time has come for the working classes to take “direct political action” by targeting the top 1% who, he tells us more than once, own as much as the bottom 50% in the UK. “Things have to change,” he says, trying to urge his friends, in a long speech he gives them in the local pub, to see Conrad, a financier, as a “political target.” Danny’s plan, not exactly meticulously thought-out, is to terrorize the wealthy family, forcing Conrad to choose which of his wife or daughter will play Danny’s seemingly deadly game of roulette. His intent is to videotape the “game” and then broadcast it along with his political statement. Needless to say, things don’t go exactly as Danny intended. Neither his victims nor his partners in crime acquiesce in his agenda.

Posted on May 31, 2018

The Twilight Zone Episode That Anticipates Get Out

Dawn Keetley

Jordan Peele is on board as one of the executive producers of a reboot of The Twilight Zone, apparently coming to CBS All Access. Even without this clear evidence, Peele’s interest in Rod Serling’s classic series, which ran on CBS from 1959-64, is manifest in his 2017 horror film, Get Out. Indeed, The Verge has called Get Out a “Twilight Zone-esque horror thriller.” Any fan of The Twilight Zone will, I’m sure, be able to point to many episodes whose influence seeped into Peele’s film. I want to point out one dramatic predecessor, however, in the season 3 episodes, “The Trade-Ins,” which originally aired on April 13, 1962 and which was written by Serling himself and directed by Elliot Silverstein.

Posted on May 20, 2018

Feral: Another Reason Not to Go Camping

Dawn Keetley

Feral (2018) is directed and written by Mark H. Young, with help in the writing from Adam Frazier. It follows six young people—most of them seem to be in med school—on a camping trip in the California forest (it was filmed around Los Angeles). The film does not spend too much time establishing the stories or characters of the campers before they hear strange noises in the woods. Is it an animal seeking revenge on Gina (Landry Allbright) for her fur coat one of them suggests? (And I have to say that a long fur coat seems a strange article of clothing to take on a camping trip but Gina, generally, seems unprepared for the trip). Shortly afterwards, at about 14 minutes in, one of the group is attacked by a savage human-looking creature—the “feral” of the title. And from that point on, the group is on the defense and making the usual bad decisions—splitting up, leaving each other alone, falling asleep on watch, and refusing to kill people–things—they should clearly kill.