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Elizabeth Erwin

screenshot of a website that is black, white and red and depicts various women screaming.
Posted on March 20, 2025

When the Woman Screams: A Public Humanities Dissertation

Elizabeth Erwin

Popular thinking is that women scream in horror films because it is an inherently misogynistic media genre – that women are screaming because they are being terrorized. But this reading de-politicizes an inherently political act. While women do scream because they are afraid, they also scream in anger, grief, or simply to be heard. A component of my public humanities dissertation, this video essay looks at what these screams – most notably silent screams – have to tell us about cultural misogyny and the importance of performance.

The dissertation itself — Lehigh University’s first of its kind — examines how the female scream in horror film operates as an oppositional act of defiance against cultural norms that seek to silence and render women invisible. By expanding the historical record through the lens of film, my hope is to recover an intersectional array of stories that mark significant socio-political shifts for women within the United States, thus collapsing the borders that exist between academia and public scholarship.

When the Woman Screams is not a dissertation about women being victimized. It is a dissertation about women surviving. I hope you’ll scream with me.

An undead entity that looks grotesque and is dressed in an old fashioned style tuxedo stands next to a girl in a red wedding dress.
Posted on August 22, 2024

A Living Death?: Talking Beetlejuice (1988)

Elizabeth Erwin

In today’s episode, it’s Tim Burton’s fever dream masterpiece Beetlejuice—a horror-comedy classic with shades of surrealism that’s as colorfully bizarre as its namesake character! The film follows Barbara and Adam Maitland, a recently deceased couple, intent on scaring off the new living occupants of their home, the Deetz family. When their best ghostly efforts prove futile, they decide to enlist the services of Betelgeuse, a freelance bio-exorcist more interested in causing havoc than in helping. With its long awaited sequel set to hit theaters September 6, we’re taking a look back at Burton’s first commercial success so stay tuned.

 

 


Recommended Reading:

Fowkes, Katherine A. “Tim Burton and the creative trickster: A case study of three films.” The Works of Tim Burton: Margins to Mainstream. Ed. Jeffrey Andrew Weinstock. Palgrave Macmillan, 2013, pp. 231-244.

Middlemost, R. “”My whole life is a dark room”: Nostalgia and domesticity in Beetlejuice and Edward Scissorhands.” A Critical Companion to Tim Burton. Ed. A. Barkman & A. Sanna. Lexington Books, 2017, pp.207-220.

van Elferen, Isabella. “Dannv Elfman’s Musical Fantasyland. Or, Listening to a Snowglobe.” The Works of Tim Burton: Margins to Mainstream. Ed. Jeffrey Andrew Weinstock. Palgrave Macmillan, 2013, pp. 231-244.

Nancy is threatened by Freddy Kruegar, a monster with razors on his hand.
Posted on January 25, 2024

Born Bad?: Talking A Nightmare on Elm Street 1 & 3

Elizabeth Erwin/ Podcast

In today’s episode, “one, two, Freddy’s coming for you” in Wes Craven’s A Nightmare on Elm Street (1984) and Chuck  Russell’s A Nightmare on Elm Street 3: Dream Warriors (1987). In the original 1984 release, a group of teens attempt to outsmart Freddy Krueger, a supernatural killer who stalks them in their dreams. In the 1987 sequel, a band of institutionalized teens attempt to defeat Krueger and save the life of an innocent by intentionally entering Dreamland together to dire consequences. Aided by one of the most famous monsters in horror film canon, the films are considered essential viewing for fans of the slasher film, but is there more to this franchise than gore and Freddy’s razor sharp wit? We’re breaking it all down today with spoilers so stay tuned.

 

Recommended Reading

Christensen, Kyle. “The Final Girl versus Wes Craven’s” A Nightmare on Elm Street”: Proposing a Stronger Model of Feminism in Slasher Horror Cinema.” Studies in Popular Culture 34.1 (2011): 23-47.

Gill, Pat. “The monstrous years: Teens, slasher films, and the family.” Journal of Film and Video 54.4 (2002): 16-30.

Heba, Gary. “Everyday Nightmares: The Rhetoric of Social Horror in the Nightmare on Elm Street Series.” Journal of Popular Film and Television 23.3 (1995): 106-115.

Kendrick, James. “Razors in the Dreamscape: Revisiting” A Nightmare on Elm Street” and the Slasher Film.” Film Criticism 33.3 (2009): 17-33.

Nowell, Richard. Blood money: A history of the first teen slasher film cycle. Bloomsbury Publishing USA, 2010.

Podoshen, Jeffrey Steven. “Home is Where the Horror Is: Wes Craven’s Last House on the Left and A Nightmare on Elm Street.” Quarterly Review of Film and Video 35.7 (2018): 722-729.

Shimabukuro, Karra. “The Bogeyman of Your Nightmares: Freddy Krueger’s Folkloric Roots.” Studies in Popular Culture 36.2 (2014): 45-65.

Two movie posters. One shows a masked assailant sticking a knife in a snow globe. The second shows a girl holding a knife while a boy stands next to her.
Posted on December 20, 2023

Christmas Horror: Talking Better Watch Out (2016) and It’s a Wonderful Knife (2023)

Elizabeth Erwin/ Podcast

In today’s episode, festive cheer gets a bloody makeover in Chris Peckover’s Better Watch Out (2016) and Tyler MacIntyre’s It’s a Wonderful Knife (2023). A subgenre of horror that turns beloved seasonal traditions into nightmarish fodder, Christmas horror is rife with malevolent Santas, homicidal elves, and many, many angry snowmen. But what happens when the source of the horror in these films takes a much more human form?  We’re breaking it all down today with spoilers so stay tuned.

a sloth holds up a camera to take a selfie with a girl in a hospital bed in a breathing mask.
Posted on December 1, 2023

Sloths Gone Wild: Talking Slotherhouse (2023)

Elizabeth Erwin/ Podcast

In today’s episode, it’s an old school horror-comedy romp with Matthew Goodhue’s Slotherhouse (2023). The plot revolves around Alpha, a homicidal three-toed sloth who is abducted from her home in the Panamanian jungle by poachers. Upon killing Oliver, one of the poachers, she is taken in by Emily who believes Alpha just might be her ticket to the sorority house presidency. But when Alpha discovers Emily looking chummy with Oliver in an Instagram post, she unleashes her fury on the unsuspecting sorority house. With some fans and critics lambasting the film as the dumbest story ever committed to film and others declaring it the best horror film of the year, Slotherhouse is, to put it mildly, divisive. We’re breaking it all down with spoilers, so stay tuned.

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