Killer kids take center stage in this episode in which we break down The Prodigy and Eli. Both dropping in 2019, these films center children and evil in ways that both reflect and challenge conventional depictions of childhood monstrosity. So stay tuned!
One of the standout horror films of 2019, Ready or Not was an unexpected hit with both fans and critics. Directed by the duo Matt Bettinelli-Olpin and Tyler Gillett, this foray into generational lore and unrestrained privilege offers up an intriguing blend of campy gore and pointed black humor that feels particularly relevant in Trump’s America. We’re talking satire, devil iconography and the importance of a killer costume in this episode, so stay tuned!
What happens when feminists dislike a feminist anthem horror film? We’re finding out today in our discussion on Black Christmas (2019), the latest adaptation of the 1974 slasher that has grown to be a cult favorite. Directed by Sophia Takal, whose impassioned defense of the film’s PG-13 rating on Twitter launched debate over whether a horror film needs to be rated R to be enjoyable, the film draws explicitly on the #MeToo era. But is it effective? We’re talking political horror, Joe Bob Briggs and the importance of audience spectatorship on this episode, so stay tuned!
Indie Darlings: Talking Sweetheart (2019) and Spiral (2019)
Elizabeth ErwinOn today’s episode we’re handling with scare two film festival darlings: J.D. Dillard’s Sweetheart and Kurtis David Harder’s Spiral. Genre hybrids with political messages very much in the cultural zeitgeist, both films are currently garnering buzz on social media. But do they deserve the accolades? We’re talking movie monsters, Republicans and representation in this episode, so stay tuned!