As an episode that redirects audience sympathy away from humans and toward a robot, “Uncle Simon” is a bit of an outlier in The Twilight Zone canon. Written by creator Rod Serling, the story focuses on Barbara (Constance Ford) as she cares for her wealthy uncle, Simon (Cedric Hardwicke). But lurking beneath this seemingly innocuous portrait of family caregiving is a dark depiction of the tolls abuse takes on a family. The antithesis of the human/robot relationship envisioned by Dr. Julie Carpenter in which robots facilitate “healthy and successful social-emotional models of communication,” this episode leverages the robot as a means of showing the cyclical nature of abuse.[i] Simon and Barbara are engaged in a dynamic where verbal abuse is an ingrained part of their communication model. It’s a pattern that not even Simon’s death can break thanks to a robot he wills to Barbara. Read more
It’s a totally bitchin’ two for one on this episode of Horror Homeroom Conversations in which we head back to the 1980s with Todd Strauss-Schulson’s The Final Girls (2015) and François Simard, Anouk Whissell and Yoann-Karl Whissell’s Summer of 84 (2018). Criminally underrated, both films deploy depictions of nostalgia in order to reflect and then disrupt audience expectation of Reagan’s America. In doing so, each film reveals a surprising depth that challenges horror film conventions.
The Horror Homeroom crew rarely agrees completely on a film but in this case, we’re unanimous in our criticism of the latest adaptation of Stephen King’s Pet Sematary. From its privileging of male grief via the systematic erasure of adult female characters to its deeply misguided use of the Wendigo, this film had us wondering if perhaps dead is better when it comes to horror remakes.
And here’s a list of some of what we referenced in the podcast! Read more
Jordan Peele’s Us (2019) has inspired a multitude of think pieces dissecting everything from its ridiculously good soundtrack to its striking visuals to its very open to interpretation plot. While few would argue its status as an interesting film, does that make it a good horror movie? We’re a divided crew on this episode of Horror Homeroom Conversations!
And here’s a list of some of our favorite Us related reading! Read more
Breaking & Entering: Talking The People Under the Stairs (1991) & Don’t Breathe (2016)
Elizabeth ErwinOn this episode of Horror Homeroom Conservations, we’re tackling two of our favorite films: Wes Craven’s The People Under the Stairs (1991) and Fede Álvarez’s Don’t Breathe (2016). While both films share a startling number of similarities, there is a pointed difference in where the audience’s sympathies ultimately reside. Is The People Under the Stairs an indictment on Reagan’s America? Does Rocky in Don’t Breathe have any redeemable qualities? And how do both films leverage an urban/suburban landscape to increase the terror? We’re breaking it all down on today’s episode! Read more