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Posted on October 23, 2022

Inheritor of Charismatic Spiritualism- Tangina Barrons in Poltergeist

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In Poltergeist (1982), director Tobe Hooper and writer Steven Spielberg created a haunted house that ditched cobwebs in favor of wall-to-wall carpeting, central air conditioning, and a family television set turned scrying mirror. A panoply of characters fill Poltergeist, but no one outshines spirit guide Tangina Barrons. Actor Zelda Rubinstein’s magnetism poured from her 4’3″ frame, evoking the nineteenth-century Spiritualism movement’s tradition of empowered and charismatic mediums communing with the spirit realm.

Poltergeist centers on a suburban California family, the Freelings, and the supernatural abduction of the youngest daughter, Carol Anne (Heather O’Rourke). Diane Freeling (Jo Beth Williams) is a counter-culture figure who emotionally connects the viewer to the otherworldly kidnapping, emphasizing the metaphysical bond between a birth mother and child. Diane’s spouse, Steven (Craig T. Nelson,) is a loving father but absent from most of the family’s daily life, establishing skepticism and confusion. While the hustle of the modern world frays the Freelings, they remain a bound and loving family. Gnawing at that unity is the paranormal kidnapping of their youngest child. That child, lost within the newly-built dream domicile, can only be wrestled from the clutches of a tortured soul, The Beast, with the help of another. Read more

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Posted on October 19, 2022

Body Shaming Slasher Piggy Cuts Deeper Than Your Usual Revenge Horror

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The poignant opening scene of Carlota Pereda’s provocative horror drama Piggy establishes that the Spanish director hasn’t just expanded but elaborated the troublesome themes her 2018 short film of the same name addresses in merely 14 minutes. Sociable sadism, passive power, and the confusing ability of revenge to be both cathartic and contaminating are at the hurting heart of this unusual teenie slasher.

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Posted on October 15, 2022

Night at the Gates of Hell Review: A Bricolage of American-Inspired Italian Horror Cinema and Japanese Video Games

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Published by Puppet Combo’s Torture Star Video, Jordan King and Henry Hoare’s post-apocalyptic video game Night at the Gates of Hell embodies a zealous homage to zombie cinema and survival horror games of the past. Like Bloodwash, Torture Star video’s preceding game, Night at the Gates of Hell pays tribute to Italian horror cinema – this time to the gore-drenched work of Lucio Fulci and Bruno Mattei. Unlike its predecessor, though, Night at the Gates of Hell is combat-heavy, longer in duration, and, above all else, full of flesh-eating monstrosities!

Players of Night at the Gates of Hell take control of David, a widowed man fighting for survival in a world overrun by the undead. Throughout his journey, David meets a variety of bizarre characters, including a small child (who may in fact be an adult masquerading as a child) and a perpetually naked prisoner. Characters from Bloodwash also appear in Night at the Gates of Hell, such as the loveable nice-guy Stan and the Creepy Guy, who cameos as a zombie in the game’s second level. Adding to the game’s range of characters is a plethora of enemies, with Night at the Gates of Hell boasting eighty-five unique zombie character models: that’s more than the number of zombie character models used in Resident Evil (2002), Resident Evil 2 (2019), and Resident Evil 3 (2020) combined. Read more

Posted on September 2, 2022

Return of the Zombie Salesman: A Review of Stubbs the Zombie in Rebel Without a Pulse

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Picture this: you are playing a video game about a zombie outbreak. Perhaps your avatar is struggling to survive as undead enemies hunt them in claustrophobia-inducing environments, like Chris Redfield and Jill Valentine in Resident Evil (1996). Then again, maybe your avatar is the one doing the hunting, slaughtering hordes of zombies with relative ease as Frank West and Juliet Starling can in Dead Rising (2006) and Lollipop Chainsaw (2012), respectively. Either way, you are likely imagining the following scenario for your hypothetical video game: a zombie outbreak has occurred, and the living must escape from, or do battle with, the undead to survive.

Stubbs the Zombie in Rebel Without a Pulse, which originally released for the Xbox in 2005 and was re-released on the Xbox One, PlayStation 4, and Nintendo Switch in 2021, is a zombie video game. Yet, in a subversion of the above-mentioned scenario, Stubbs the Zombie has players take on the role of a zombie: an undead salesman by the name of Edward “Stubbs” Stubblefield to be precise. In Stubbs the Zombie, the goal of the playable character is a wholesome one; Stubbs must find a way of reuniting with his love interest, a Marilyn Monroe lookalike named Maggie Monday. Yet, despite his wholesome quest, as an undead monstrosity Stubbs is a harbinger of death.

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Posted on August 26, 2022

The Top 10 Horror Moments in the Batman Cinematic Universe

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While director Matt Reeves may have described the most recent Batman movie, The Batman (2022), as “almost a horror film,” horror as an aesthetic mood or idiom pervades representations of the character and his world across cinematic history. The stylistically and tonally diverse cinematic projects of Tim Burton, Joel Schumacher, and Christopher Nolan and now, Matt Reeves, have deployed some quintessential tropes of horror filmmaking in the course of envisioning the caped crusader and his adventures. Batman has served as a convenient and uniquely ingenious cultural device that allowed directors to crystallize the social and political horrors of their times on the cinematic scape. This list consists of the Top 10 Horror moments in the cinematic history of Batman. The scenes are ranked in order of least to most horrifying, with no. 10 being a semi-comical scene that draws on horror aesthetics, and no. 1 being an out-and-out jump-scare moment.

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