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Posted on May 25, 2021

The Persistence of Reproductive Futurism in A Quiet Place

Guest Post

‘If they hear you, they hunt you.’ A Quiet Place (2018) tells the story of a white American family fighting to survive in a post-apocalyptic North American landscape, where they are forced to live in silence to avoid monstrous creatures that hunt by sound and have wiped out the majority of the population. The fictional couple Evelyn and Lee Abbott (played by real-life Hollywood couple Emily Blunt and John Krasinki) are determined to find a way to protect their children (deaf daughter Regan, and sons Marcus and Beau) while desperately searching for a way to fight back.

Posted on April 21, 2021

The Greatest Witch of All: Examining the Character and Cultural Impact of the Wicked Witch of the West in The Wizard of Oz (1939)

Guest Post

The Wicked Witch of the West is perhaps the most famous incarnation of a witch on screen who also happens to be in one of the greatest films of all time. She may not have a cat, but she does have a fleet of winged monkeys. I can, of course, only be referring to the Wicked Witch of the West from the spectacularly glorious 1939 film, The Wizard of Oz. Originating from the timeless and much-loved book penned in 1900 by L. Frank Baum entitled The Wonderful Wizard of Oz, this depiction, embodied by an unrecognisable Margaret Hamilton, has served as universal shorthand for wickedness in popular culture for decades.

The Wicked Witch of the West is ranked at number 4 on the American Film Institute’s 50 best villains of all-time list, a startling achievement in that it also makes her the highest -ranking female villain ever to bewitch our screens! Her very title, in fact, denotes her importance, for she is not just a witch, but the Wicked Witch of the West, a name that with its heavy vowel sounds and alliteration carries an air of threat and menace. Unlike her adversary, Glinda, the Witch of the North, she is not humanized with a Christian name. Read more

Posted on April 12, 2021

The 40th Anniversary of The Evil Dead: Camp Horror and its Legacies

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Forty years ago, Detroit’s Redford Theatre hosted the premiere of The Book of the Dead, a new film by Sami Raimi. A fan of the extravagant premiers popularised by William Castle, Raimi put on a show—custom-made ticket stubs promised the “Ultimate Experience in Gruelling Terror” and two ambulances were ceremoniously parked outside. If that were not enough, two wind tracks were set up to transport attendees to the film’s iconic setting: a dilapidated cabin in the woods. Two years later and the film, renamed The Evil Dead, would make over $29million worldwide; due in no small part to its dedication, on and off screen, to the kind of theatrical spectacle initially created in the Redford Theatre. Read more

Posted on April 5, 2021

Nightmare Normal: Lockdown Horror

Guest Post

When it comes to creating horror scenarios, statesmen and -women have always out-classed the creators of fiction. Now they’ve done it once again. As in some clichéd movie script, you go to bed one night to find the next day that the world has irreparably changed. Human rights are now “privileges.” People are not considered fellow human individuals but state-owned virus-transmitters. Soon a new passport could reconstruct and reshape an underclass defined by lack of an immunity which scientists can’t even confirm. Lockdown may well last forever. At least for those disadvantaged by one of the most momentous accelerators of systemic injustice ever. No matter how much you love horror, you don’t want to live it. Still, there are examples of filmic horror conveying some of the radically changed parameters of an utterly frightening reality. Their often perplexing plots, themes and systemic critique can help reassess an unhinged present, providing reflections on and analogues for the mechanisms of a new “normal” which is anything but.

Posted on April 3, 2021

Stephen King’s LATER: A Review

Guest Post

I started absorbing Stephen King before I was born. When she was pregnant with me, my mom distracted herself with two equally consuming tasks: stitching future-me a small quilt (despite very little knowledge or skill related to sewing) and reading the serial installments of The Green Mile, published between March and August of 1996. She spun my future with fabric squares—painstakingly arranged for comfort—and whatever textures might be taken from the echoes of chants and shaking chains on a fictional death row. Manufactured, destroyable dread was the invisible thread connecting the balloon to the toy block to the yellow background.

Now, it’s 2021 and I’m an adult who does my own grocery shopping and I see a new paperback on a display at Costco and I throw it into my cart before any food. King’s latest (aptly titled Later) is a compelling, genre-mash and in many ways, one of King’s most honest stories. Read more