In today’s episode, it’s an old school horror-comedy romp with Matthew Goodhue’s Slotherhouse (2023). The plot revolves around Alpha, a homicidal three-toed sloth who is abducted from her home in the Panamanian jungle by poachers. Upon killing Oliver, one of the poachers, she is taken in by Emily who believes Alpha just might be her ticket to the sorority house presidency. But when Alpha discovers Emily looking chummy with Oliver in an Instagram post, she unleashes her fury on the unsuspecting sorority house. With some fans and critics lambasting the film as the dumbest story ever committed to film and others declaring it the best horror film of the year, Slotherhouse is, to put it mildly, divisive. We’re breaking it all down with spoilers, so stay tuned.
In today’s episode, we are finally tackling the film Roger Ebert called “a raw and painful experience” that “transcends the genre of terror, horror, and the supernatural.” We are, of course, talking about William Friedkin’s The Exorcist (1973). Based on William Peter Blatty’s novel of the same name, the film is an acknowledged classic trafficking in body horror and demonic possession, scenes of which have morphed into head turning, pea-soup laced pop culture shorthand. But is there more to this story than meets the eye? We’re breaking it all down today with spoilers so stay tuned.
References/Mentioned in this Episode
Clover, Carol J. Men, Women, and Chainsaws: Gender in the Modern Horror Film-Up. Princeton University Press, 2015.
Collative Learning. The even darker underbelly of THE EXORCIST – film analysis. YouTube, 24 January 2017.
Ebert, Roger. “The Exorcist.” RogerEbert.com, 23 December 1973.
Happy Haunts Library, YouTube, 2023.
Heffernan, Ryan. “The 9 Most Hilarious ‘The Exorcist’ Parodies in Movies and TV Shows.” Collider, 9 October 2023.
Schuetz, Janice. ““The exorcist”: Images of good and evil.” Western Journal of Communication (includes Communication Reports) 39.2 (1975): 92-101.
Williams, Marlena. Night Mother: A Personal and Cultural History of The Exorcist. Mad Creek Books, 2023.
Winter, Douglas E. Faces of Fear: Encounters with the Creators of Modern Horror. Berkley Trade, 1985, pp. 36-49.
In today’s episode, Australian horror takes center stage courtesy of Danny Philippou and Michael Philippou’s Talk to Me (2023). In the film, Mia, who is grappling with the imminent second anniversary of her mother’s death, attends a party with Jade, her best friend, and Riley, Jade’s brother. There, they are given the opportunity to commune with the spirit world via an embalmed hand. Predictably, things do not go according to plan. With unrelenting hype and a domestic box office gross outpacing other A24 releases, the film is a potent hybrid of gore and dread but is it the best horror film of the year so far? We’re breaking it all down today with spoilers so stay tuned!
Always Check Your Candy: Talking Trick ‘r Treat
Elizabeth Erwin/ PodcastIn today’s episode, we’re kicking off the spooky season with Michael Dougherty’s Trick ‘r Treat (2007). Told in an anthology format with non-linear storytelling, the film is a virtual shoutout to Halloween lore making it a cult classic among horror fans. But does it deserve its reputation? We’re breaking it all down today with spoilers so stay tuned!
Mentioned in this episode:
Keetley, Dawn. “Trick or Treating in Halloween Movies.” Horror Homeroom, 7 October 2016.
McIntosh, Matthew A. “Samhain: The Celtic Inspiration for Modern Halloween.” Brewminate: A Bold Blend of News and Ideas, 30 October 2020.
Vorel, Jim. “In Praise of Trick ‘r Treat, the Ultimate ‘Halloween Night’ Movie,” Paste, 29 October 2017.
In today’s episode, it’s part two of our deep dive into shark horror with Renny Harlin’s Deep Blue Sea (1999). Blending science fiction with horror, the film follows a crew of researchers as they try to replicate in sharks the brain cells of people with Alzheimer’s Disease. Predictably, the experiment does not end well. Known for its divisive heroine, campy reinterpretation of animal attack tropes, and some truly epic CGI sharks, Deep Blue Sea is the rare shark horror film that resists demonizing the sharks. But is that a good thing? We’re breaking it all down today with spoilers, so stay tuned!
Mentioned in this episode:
- Sign the petition to have release its footage of the original ending to Deep Blue Sea
- Our podcast on Crawl (2019)
- Gwen’s take on Deep Blue Sea.
- Tugan, Nuray Hilal. “Neoconservativism in the Science-Fiction Cinema: The Representation of Neoconservativism in Deep Blue Sea (1999).” International Journal of Eurasia Social Sciences / Uluslararasi Avrasya Sosyal Bilimler Dergisi, vol. 9, no. 31, 2018.