In today’s episode, it’s an old-Hollywood tinged journey into repression and murder via Ti West’s Pearl, the sequel to his massively successful X. Set against the final days of World War 1, the film follows Pearl (Mia Goth), a young woman who feels trapped by her mundane farm life and who yearns to take her place alongside the Big Screen stars she idolizes. But when those dreams get dashed, the film segues into unadulterated horror territory. With its sympathetic look at madness and its homage to the Golden Age of film, Pearl is a character study that all but ensures that you will never look at a scarecrow the same way again. We’re going to spoil the hell out of this film, so stay tuned.
John Hyam’s SICK (2022) is a wildly divisive film that had us debating both its merits and its place within slasher film canon. Situated in the early days of the pandemic, the film follows friends Parker (Gideon Adlon) and Miri (Beth Million) as they quarantine at a remote lake house owned by Parker’s parents. They are joined unexpectedly by DJ (Dylan Sprayberry), Parker’s friend with benefits, who is eager to make their relationship exclusive. But their idyllic reprieve is soon interrupted when an unexpected threat starts stalking them.
On this episode, we debate the wisdom of setting a slasher within a real life collective trauma while also considering the importance of generational spectatorship in film reception. In the end, the only thing we agree on about this film is that Erasure’s “A Little Respect” still bangs. Listen to the full, spoiler-filled episode below!
Horror friends! We’ve heard you loud and clear and will now be combining both our book and movie podcasts under the Horror Homeroom Conservations umbrella!
Speaking of which, we recently delved into 2020’s CIRQUE BERZERK by Jessica Guess. Part of the ‘Rewind or Die’ series, the story takes place 30 years after a group of kids went on a killing spree at a local carnival; a massacre that left a dozen people dead. Decades after the tragedy, a group of students, including best friends Sam and Rochelle, decide to visit the theme park for one last hurrah. But sometimes, the past refuses to stay dead. Did this slasher live up to expectations? Find out in our latest episode available wherever you get your favorite podcasts.
And if horror books are your jam, don’t forget these episodes of the late, great Bloodcurdling Book Club. A handy, dandy playlist is below for your listening pleasure.
With its languid storytelling and inversion of Gothic tropes, Bernard Taylor’s THE REAPING is an exercise in patience with a supremely satisfying payoff. In this episode, we discuss folk horror, the rejection of the maternal, and the importance of a good book cover. On this podcast we talk blood, guts, and spoilers so listener discretion is advised.
You can order Taylor’s novel from Valancourt’s Paperbacks from Hell site.
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The Bloodcurdling Book Club: Talking Elizabeth Engstrom’s WHEN DARKNESS LOVES US
PodcastElizabeth Engstrom’s WHEN DARKNESS LOVES US has been called everything from dark and soul crushing to a “paperback from hell” but we call it one of the finest literary explorations of trauma in recent memory. In this episode, we discuss what makes a monster, how trauma gets replicated, and what it means when monstrosity cloaks itself as maternal indifference. On this podcast we talk blood, guts, and spoilers so listener discretion is advised.
You can order Engstrom’s novel from Valancourt’s Paperbacks from Hell site.
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