Posted on May 31, 2016

Southbound (2015) Review

Guest Post

A lonely stretch of desert highway in the American Southwest, offers five stories of terror in the horror anthology Southbound.

Synopsis: On a desolate stretch of desert highway, weary travelers – two men on the run from their past, a band on their way to the next gig, a man struggling to get home, a brother in search of his long-lost sister and a family on vacation – are forced to confront their worst fears and darkest secrets in a series of interwoven tales of terror and remorse on the open road.

Directed by Roxanne Benjamin (producer, V/H/S 1-3), David Bruckner (V/H/S), Patrick Horvath (Entrance) and the film collective known as Radio Silence (V/H/S), the movie stars Kate Beahan (TV’s “Mistresses,” The Wicker Man), Matt Bettinelli-Olpin (V/H/S), and Mather Zickel (TV’s “Masters of Sex,” Hail, Caesar!).

Horror anthologies. I love and respect them for what they are and what they aren’t. For me, it all started with Creepshow then Tales From The Crypt TV series came along and before I knew it, I was building a top ten list of favorites including Tales from The Darkside The Movie, Body Bags, V/H/S/, The ABC’s Of Death, Tales Of Halloween and A Christmas Horror Story. Now I’ve added Southbound to the list. Read more

Posted on May 29, 2016

The Other Side of the Door (2016) and Wake Wood (2009): Folk Horror and Grief

Dawn Keetley

DEFYING DEATH IN THE HORROR FILM: Since at least Pet Sematary (1989), we’ve known it’s not a good idea to try to bring loved ones back from the dead. Indeed, this theme goes back still further. What was Frankenstein (1931), in the end, if not a warning about what happens when you raise the dead? But if horror is at bottom about the inevitability of death, it’s also about our efforts to defy that inevitability—efforts that are at the same time heroic and dangerously hubristic. Both The Other Side of the Door and Wake Wood demonstrate this in terrifying fashion.

The release last week of The Other Side of the Door (2016), directed by Johannes Roberts, written by Roberts and Ernest Riera, and starring Sarah Wayne Callies (The Walking Dead, Colony) and Jeremy Sista (Six Feet Under, The Returned), is a dramatic manifestation of the fact that we’ll never get over (or around) the implacability of death.

Indeed, we can see the persistence of the human desire to overcome death in the fact that The Other Side of the Door is strikingly similar to another relatively recent Irish folk horror film—Wake Wood (2009), which was directed by Arthur Keating and stars Aidan Gillen (Game of Thrones), Eva Birthistle (The Children), and Timothy Spall (Harry Potter, Mr. Turner). Both films are worth watching, both in and of themselves and also because of what their similarities say about an enduring theme of horror. Read more

Posted on May 26, 2016

The Break-In (2016) Review

Dawn Keetley

I watch a lot of horror films, including as many independent productions as I can. I forget many of them shortly after finishing them. I never make it through many others. But sometimes I find one that really surprises me—and those are the ones I tend to write about. The Break-In, written and directed by Justin Doescher (who also stars), was such a surprising film: it pulled me in, made me want to keep watching—and then came at me with an ending I did not see coming and that I’ve been thinking about ever since. The Break-In is definitely low-budget, but if you’re mulling over whether or not to watch this film or spend the big bucks for the latest high-profile theatrical release, The Darkness, stay home and rent The Break-In.

As a testament to how interesting I think this film is, there are two parts to this review. Read the first part before you watch the film, and hopefully it’ll make you want to watch. The second half, below the big “Spoiler Alert,” are my thoughts on the film in light of its ending. You should come back and read that part after you’ve watched the film. Read more

Posted on May 24, 2016

Why I Love Wayward Pines…And You Should Too

Gwen

First let’s hash out the basics:

Season 1 is over but Season 2 is about to premiere on Wednesday night 5/25/16 at 9pm on FOX. So if you have not watched the first season, my recommendation is to run and binge watch before season 2 starts. If you want to know the premise of the series you can find it here. This show cannot possibly get anymore star-studded than it already is: Melissa Leo, Carla Gugino, Shannyn Sossamon, Siobhan Fallon Hogan, Juliette Lewis, Matt Dillon, Charlie Tahan, Toby Jones, and Terrence Howard to name a few..and that is only Season 1! Season 2 promises the addition of Jason Patric and Djimon Hounsou.

Why I love Wayward Pines . . . let me count the ways:

The acting is absolutely out of this world. Wayward Pines doesn’t have to rely on name recognition because the entire cast can carry this story with their skill. It doesn’t hurt that the storyline, dialogue, sets, and characters far exceed expectations. Let’s put that aside because anyone could tell you that; it’s stating the obvious. I would like to tell you specific to my interests what makes Wayward Pines so broadly appealing. Read more

Posted on May 20, 2016

The Darkness (2016) Review

Gwen

PG-13   |   92 min   |   Greg McLean   |   (USA)   |   2016

Review: “The Darkness” sheds light on living with an autistic child…and ways to borrow heavily from Poltergeist (1982).

Synopsis: A family travels to the Grand Canyon and brings home some uninvited and unwelcome visitors.

Grade: B- / C+

What works:

I especially love Radha Mitchell (Bronny Taylor) and David Mazouz (Michael Taylor) in this film. Their acting is superb and skillfully builds the narrative. Mitchell lends an extraordinary believability to her role as neglected spouse and over-burdened mother.[i] I am going to tell you now that the reason that this film grade was B- / C+ was largely thanks to the work of these two and the underlying narrative about living with an autism spectrum child.[ii]
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