Posted on May 14, 2018

Island Zero: Indie Creature Feature

Dawn Keetley

Island Zero is directed by Josh Gerritsen and written by Tess Gerritsen, the best-selling crime author of the Rizzoli and Isles series. While undeniably low-budget, Island Zero has a lot going for it –including excellent writing and direction and some stellar performances—especially by Laila Robins as the local doctor, Maggie. There are also some powerful location shots as the director mines the Maine island of Islesboro for its bleak beauty.

Island Zero quickly puts us into the realm of a quite conceivable dystopian scenario as it follows a marine biologist, Sam (Adam Wade McLaughlin), who is trying to figure out why the local fish population seems to have vanished—“sudden unexplained collapse of the fishery” he calls it. His wife, also a marine biologist who vanished mysteriously at sea four years ago, had been studying fishery collapse—a phenomenon happening all along the eastern seaboard. When she disappeared, she had been working on the theory that the fish were being eaten by an apex predator that hadn’t yet been identified. Sam, still grieving, has picked up her work and has become convinced not only that she was right but that the mysterious predator has moved up to Maine.

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Posted on May 10, 2018

Top 10 Horror Protagonists Deadlier Than the Big Bad

Guest Post

The horror movie Final Girl (or Boy) is the character you’re rooting for! They’ve suffered brutal losses, witnessing their friends and loved ones succumb to whatever deadly consequence The Big Bad has in store for them. But what if the ones we’re supposed to be rooting for are just as capable of joining in the killing sprees if it means survival for them?

Well, here’s a list of the Top 10 Horror Protagonists (be warned, spoilers!) that you’d want to be near when something goes bump in the night!

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Posted on May 4, 2018

10 Tales from the Crypt Episodes Every Horror Fan Should See

Elizabeth Erwin

Ask any horror fan of a certain age their favorite scary anthology series and odds are they are going to reference Tales from the Crypt. Because the show originally ran on HBO, no content was off the table which meant that gore, nudity, and profanity was in ample supply. This led to varied storytelling that incorporated all the major subgenres of horror while also providing a running through line of satire, largely courtesy of the show’s sarcastic mascot Cryptkeeper (voiced brilliantly by John Kassir).

Awhile back, I started a rewatch of the series in anticipation of M. Night Shyamalan’s expected reboot for TNT. And while, sadly, that revival never got off the ground, it did provide me a perfect excuse to revisit a childhood favorite. All seasons of Tales from the Crypt are now streaming on Amazon – and specific links are below.  Read more

Posted on April 30, 2018

Insidious The Last Key: The Demon of Abuse

Dawn Keetley

Insidious: The Last Key, directed by Adam Robitel and written by Leigh Whannell, is an iconic horror film of the #MeToo moment. While the film certainly has some failings as a horror film: it’s not terribly scary and the pacing seems a little uneven, it is eminently worth watching for two reasons: its centering of the story of Elise Rainier (Lin Shaye), whose compelling character is developed for the first time in the franchise; and its explicit rendering of men’s (sexual) abuse of women as what is truly monstrous. The Last Key puts women and women’s experience of abuse front and center, and all credit to Adam Robitel for making another horror film that features a complex older woman and that uses genre film to explore real horrors: he is the director who gave us the brilliant The Taking of Deborah Logan (2014) starring the wonderful Jill Larson as a woman struggling with both Alzheimer’s and the supernatural.

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Posted on April 26, 2018

10×10 and the Trend of Women Kept Captive

Dawn Keetley

10×10 is the first feature-length film for director Suzi Ewing. Noel Clarke wrote the screenplay and it stars Kelly Reilly (Eden Lake, Britannia) and Luke Evans (mostly recently in TNT’s The Alienist). The film’s plot is simple: Lewis (Evans) stalks Cathy (Reilly), abducts her, and locks her in sound-proofed (10×10) room in his home. At first, all he asks his captive is what her name is, but as she tries to escape, he gets more violent. As 10×10 unfolds, the viewer’s assumptions about what’s going on take some dramatic turns—and one of the most effective things about this film is precisely the way it plays with viewers’ expectations.

These captured-women narratives are undoubtedly saying something about men’s anxiety in an era of diminishing power—and of the rising power of women. The 2010s kicked off with Hanna Rosin’s major article in the The Atlantic: “The End of Men,” with her book of the same title following on its heels. On the other hand, as important as that general anxiety is, the films are all saying something different in their particular kinds of captivity, the different dynamics they imagine between captor and captive. 10×10 is no exception.

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