Posted on August 28, 2017

Cuarón’s Desierto and the Rise of the White Man as Monster

Dawn Keetley

A 2015 Mexican-French production co-written and directed by Jonás Cuarón, Desierto is an intensely interesting film. Its stark plot tackles head-on one of the issues that has convulsed the US (and defined its relationship with its southern neighbor) since the lead up to the 2016 presidential election. Desierto is a horror film about immigration—specifically an illegal crossing from Mexico into the US, and it thus joins the equally provocative Undocumented (Chris Peckover, 2010) in what I’m sure is poised to be a newly emergent preoccupation of the horror genre.[i]

Desierto’s plot is simple—perhaps too simple (one of its flaw). A group of Mexicans are covertly crossing the border when their truck breaks down and they are left to head in the direction of the US on foot. Enter Sam (Jeffrey Dean Morgan) and his dog, Tracker, who picks off the members of the group one by one until only Moises (Gael García Bernal) and Adela (Alondra Hidalgo) are left.

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Posted on August 18, 2017

Kong: Skull Island is not good, but it says something about horror

Dawn Keetley

Jordan Vogt-Roberts’ Kong: Skull Island is the kind of film that makes you wonder what everyone involved was thinking, including some generally good actors (Samuel L. Jackson, Tom Hiddleston, John Goodman, John C. Reilly). It’s a hot mess of a film—incoherent, pointless, lots of execrable writing and wooden acting. And it gratuitously and shamelessly pulls from other (better) films—notably Jaws (1975) and Jurassic Park (1993).

Skull Island does say much about how horror films (and maybe life) work, however. Cast as a kind of reboot of the first King Kong (Merian C. Cooper and Ernest B. Schoedsack, 1933), Skull Island shows how utterly bound to the need for borders and for “others” the horror film tradition is.

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Posted on August 8, 2017

Films to Watch Out For: Hendrik Faller’s Mountain Fever

Dawn Keetley

Hendrik Faller’s first feature film, Mountain Fever, is an official selection of Horror Channel’s Frightfest in London and will have its world premiere at the festival at the end of August, 2017.

The film is described as an “ice-cold survivalist thriller,” and the trailer suggests that it taps into home invasion and contagion sub-genres as well as the survivalist narrative.

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Posted on August 4, 2017

Baskin’s Conflicted Horror

Guest Post

Baskin is a 2015 Turkish horror film directed by Can Evrenol. It centers on a group of police officers, including a young and naive officer named Arda (Görkem Kasal), as they respond to a late-night call and inadvertently wander into Hell. The men stumble into a place and time “where realms unite,” and they are doomed to be punished for their sins in life in a twisting tale that denies the viewer any semblance of reality to which they can cling as the horrors mount.

Baskin spins an intentionally disorienting narrative as perspective jumps from character to character, and dreams within dreams layer upon one another as the film moves toward its climax.

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