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Posted on October 30, 2015

10 Horror Legends We Miss

Gwen

As the harvest season ends and winter looms ever near, the Celts believed that this transition between seasons opened a bridge between the living and the dead. It is thought that the winter cold and higher death rates contributed to this blurring of life and death. The Celtic festival Samhain moved people to wear costumes to ward off ghosts that roamed the earth, brought trouble, and even served as harbingers of death.

As Romans later conquered much of the Celtic land, their festival (Feralia) which commemorated the dead, came to blend with the Celtic Samhain.  Much later, with the spread of Catholicism, the Church drafted their own day of remembrance to honor martyrs, saints, and the dead on All Souls Day, All Saints Day, and All Hallows Eve.

Despite the watered down, consumer version in America today, Halloween is still fundamentally about blurred boundaries and remembering the dead. No matter how you celebrate—whether you dress up to ward off ghosts or partake in a vegetarian feast by the light of a bonfire—we should honor the origins of our favorite horror holiday.

Join me in commemorating Halloween in true horror film fashion by remembering some of our dearly departed.

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Posted on October 29, 2015

Game Horror, Circle (2015), and Lifeboat Ethics

Dawn Keetley

Circle (2015), directed by Aaron Hann and Mario Miscione, is the latest entry in the horror sub-genre I’m calling “game horror,” one perhaps best exemplified when Jigsaw, villain of the Saw franchise, uttered those now infamous words, “Want to play a game?” In this sub-genre, a group of seemingly random people are brought together by some unknown person or entity and forced to play a not-very-fun “game.” Sometimes the rules are made very clear; sometimes the players have to figure them out as they go along. Sometimes the game really is arbitrary and the players random; sometimes, though, the players are there for a reason—one they must figure out if they want to survive.

“Game horror” originated in 1939 with Agatha Christie’s mystery novel, And Then There Were None (made into a very good film, directed by René Clair, in 1945), in which ten people are invited to an island and are, one by one, accused by their absent host of the crime of murder. The host uses a gramophone record to lay out his guests’ crimes—a direct antecedent of Jigsaw’s recorded messages to the “players” in his games. Needless to say, in And Then There Were None, as in Saw, punishment ensues.

2. And then there were none

Like much horror, game horror also has roots in The Twilight Zone, specifically the 1961 episode, “Five Characters in Search of an Exit” (season 3), in which five characters wake up in a large metal cylinder and have to try to find a way out before they starve to death. This plot anticipates the many subsequent films (Cube, Saw, and Circle) in which characters wake up in a strange place, disoriented, and with no memory of how they got there.

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Posted on October 28, 2015

A Good Marriage (2014) Film Review

Gwen

You know that moment when you realize that your relationship isn’t what it used to be. The moment when you think, where did we go wrong? For Darcy Anderson (Joan Allen) it was the moment that she found a dead girl’s driver’s license hidden in a secret panel behind her husband’s work bench.

From the outside looking in, the Andersons had a good marriage. They had a successful business, successful children, and they celebrated their 25th wedding anniversary amongst a slew of adoring friends. Even Darcy thought she had a good marriage, despite the nagging notes all around the house and the misogynistic comments by her husband. Notice the title is “good” not great. Early in the film, Darcy responds to all Bob’s notes, saying “He goes but he never really leaves.” We soon come to find out their relationship isn’t all that it appears to be.

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Posted on October 25, 2015

Why Horror? (2014) Film Review

Elizabeth Erwin

Why Horror?

Not Rated   |   81 min   |   Nicolas Kleiman & Rob Lindsay |   (Canada)   |   2014

 Sound byte Review: Talking about horror seriously and in a variety of contexts while still celebrating the experiences of fans makes Why Horror? a unique experience for viewers who both enjoy and are repulsed by the genre.

 Grade: A-

As someone who writes about horror and has a special appreciation for extreme gore, my sense of discomfort this past summer with the way some fan fiction was handling those perversions (murder, rape, incest, etc.) often tackled in horror was unexpected. And so as I was already beginning to question my own involvement in the genre, I was perfectly primed for the topic of this compelling documentary that seeks to answer why it is that people are drawn to horror. While I can’t say that it revolutionized my thinking on the topic, the film does illustrate the importance of opening up a conversation on why it is that we fear the things we do.

Premiering Friday on Showtime, Why Horror? is an interesting exercise in exploring all the varied reasons why horror resonates with fans. Examining everything from film to art to psychology, this POV documentary works largely because of its commitment to not exploring the genre in a vacuum. What I especially appreciated was the way in which the film wove in discussions of culture and gender to consider the myriad of ways in which horror has the power to impact society. Less in-depth exploration and more personal journey, the film is best suited to those viewers who can’t quite grasp why it is that people would find enjoyment in depictions of explicit gore and violence.

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