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Posted on October 6, 2015

No, Conservatives Can’t Have The Walking Dead!

Dawn Keetley

In his recent article in The National Review, “In the Zombie World, Only the Conservatives Survive,” David French argues that zombie fiction (notably AMC’s The Walking Dead) “may be the most conservative fiction of all.”[i] I disagree.

French predicates his case on three claims: (1) in zombie fiction, the government is incompetent and almost immediately collapses; (2) you’ll only survive if you have a gun and know how to use it; and (3) people end up being the most dangerous animals of all in the post-apocalyptic world.

First of all, the points French makes certainly have some truth to them, but they offer only a partial view. First of all, conservatives can be as enamored of the government as any liberal—to the extent, of course, that government embodies conservative values. (Kim Davis, the Kentucky country clerk who’s refusing to sign marriage licenses for gays and lesbians comes to mind here.) Liberals and conservatives each love their own particular incarnations of the government. If anyone’s going to be dancing when the government inevitably collapses, it’ll be the libertarians.

Secondly, yes, you need a gun (or a katana or a cross-bow) in the zombie apocalypse. But, as the NRA loves to remind us, guns don’t kill people, people kill people—and having a gun, and surviving with it, always depends on who you are and who you’re with. As The Walking Dead and every single zombie fiction repeatedly shows us, there is strength in numbers: you survive only with a group. Yes, humans may be dangerous (French’s third point), but humans are also their own salvation, and the people you choose to ally yourself with are the single most important predictor of survival. More important than guns, in short, is community.

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Posted on October 5, 2015

Point Counterpoint: Are Zombies Good Horror Monsters? (Yes)

Elizabeth Erwin

Note: For the counterpoint to the argument that zombies are good horror monsters, check out Gwen’s piece on Wednesday!

For the past decade, zombies have been experiencing a pop culture resurgence. Because they are instantly identifiable horror monsters, it isn’t at all uncommon to hear the gripe that zombies aren’t really all that scary. This, my friends, is utter nonsense. Zombies have style, substance and a penchant for ripping victims wide open. What more could a horror fan want?

Death by Zombie is Brutal

Scenes of carnage in most American zombie narratives make it clear that death by zombie is utterly brutal. In Shaun of the Dead (2004), David is ripped open in horrifically gory detail as he screams in terror. It is a scene that is as bloody and visceral as any you’re likely to find in slasher horror. City of the Living Dead (1980) ups the gross factor when Rose is killed as she is forced to vomit uncontrollably. As both of these cases demonstrate, the assumption that zombies pose no real threat is a misplaced one. Sure, they often (but not always) are slow moving but their tendency to move in groups increases their threat value. And when they catch you, it is guaranteed not to be pretty.

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Posted on October 4, 2015

The Reaper’s Revenge Attraction Review

Gwen

Web Address: http://reapersrevenge.net/

Location: Scranton, PA (Lackawanna County)

Reaper’s Revenge shocks ALL your senses!

Grade: A+

The Nuts and Bolts:

This haunt is settled on about 60 acres of land and all I can say is that they adequately use every single inch. The Reaper’s Revenge experience incorporates four amazing haunts for one reasonable price. (As of October 2015 it’s $35) There is a small fee for parking; however it is completely worth it when you consider how many haunts you get for the price. Make sure you take down the directions from the website as some GPS don’t initially recognize the GPS address given.

The actors in this haunt can touch you. If you do not wish to be touched they offer an option for a glow in the dark necklace so the actors know not to touch you. Even though the four events are continuous, there are always ways to exit early if you need to. Also of important note, there are porta-johns located at each Segway which is extremely helpful for all ages. As an educated guess, not including wait times, I enjoyed at least two hours of horrific fun.

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Posted on October 2, 2015

Point Counterpoint: Is Scream Queens Horror? (Yes)

Gwen

To be more specific, Scream Queens is clearly part and parcel of the horror subgenre called Horror/Comedy. So in a sense it is not straight horror. But I don’t think anyone assumed that it was. To negate Scream Queens as part of the horror canon is to negate such great films as Gremlins (1984), Beetlejuice (1988), and Buffy the Vampire Slayer (1992)—and let’s not forget the landmark horror television series Tales From the Crypt (1989-96). What follows is my counter point to Elizabeth’s thought-provoking post, laying out why I feel Scream Queens is definitively part of horror and how horror comedy walks a thin line to maintain its place in the category.

Horror subgenres

Scholars of horror desperately try to define the parameters of horror. Both Elizabeth and I are tirelessly trying to create our own definition of what constitutes horror. One thing that all scholars seem to agree on is the fact that not everything that is horror fits nicely into the little box labeled “horror.” Perhaps part of the reason for this is that “horrific” is a subjective term. Some people find vampires and ghosts to be horrific. I, myself, find family gatherings, commitment, and small children to be much more terrifying. The things that incorporate horror but do not quite fit wholly within the category get shoved into subgenres. Some widely agreed upon subgenres are: teen horror, slasher, supernatural horror, monster horror, family horror, natural horror, body horror, psychological horror, and comedy horror.

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Posted on September 30, 2015

Point CounterPoint: Is Scream Queens Horror? (No)

Elizabeth Erwin

Note: Be sure to read Gwen’s argument why Scream Queens is horror!

Routinely criticized for a camp aesthetic that would make Divine blush, Ryan Murphy’s foray into horror has been mixed at best. While American Horror Story has had its share of viral moments, its consistently uneven storytelling has prevented it from picking up the mantle from its most obvious predecessor, Twin Peaks. And so it was with more than a little apprehension that I sat down to take in Scream Queens.

Gwen’s review highlights the many reasons there are to love Murphy’s latest television outing. I’d be lying if I said that I didn’t thoroughly enjoy every moment, mainly because it isn’t often that a show makes me laugh out loud. And ultimately that is the main problem with Scream Queens. By elevating humor above dread, the show is squandering its horror potential.

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