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Posted on October 11, 2015

THE INHABITANTS (2015)

Dawn Keetley

I’ve been watching a fair number of low-budget, independent horror films of late, and the vast majority of them never make it to this site: either I stop watching or they’re too bad to review. The Inhabitants is an exception and I definitely recommend you rent it when it’s released on October 13.

It’s written and directed by Michael and Shawn Rasmussen, whose previous credits include Dark Feed (2013), which they wrote and directed, and The Ward (2010), a John Carpenter film for which they wrote the screenplay.

One of the great things about The Inhabitants, aside from its undeniable creepiness, is its simplicity. It focuses unrelentingly on a couple, Jess (Elise Couture) and Dan (Michael Reed), who buy the March Carriage Bed and Breakfast Inn, intending to live out Jess’s dream of running a B&B. The attention of the film stays on the couple, resisting distractions, as stranger and stranger things start happening, and as the film drives toward a gruesome and chilling ending.

Posted on October 11, 2015

6 Predictions for Season Six of The Walking Dead!

Elizabeth Erwin

After what seems like years of waiting, we are now mere hours away from The Walking Dead’s season six premiere! And so in between baking Carol cookies and coiffing my Eugene inspired mullet, I bring to you predictions!

6. – Daryl Gets His Groove Back
As a huge fan of Daryl (Norman Reedus) from seasons one and two, it’s been disappointing to watch what was once a nuanced character become so, well, emo. The expected arrival of comic fan favorite Paul Monroe, aka Jesus, puts the position of Daryl somewhat in jeopardy. Monroe is an able survivalist who becomes one of Rick’s most trusted allies. Sound familiar? The show needs to remind viewers of the reasons why we first fell in love with Daryl, and so I’m expecting to see a less teary-eyed and more badass Daryl take center stage. And if this metamorphosis could involve Carol (Melissa McBride), that would be even better!

5. – You’ll Shoot Your Eye Out!- The Carl Version
It’s no secret to anyone who knows me that I am not Carl’s (Chandler Riggs) biggest fan. And so it might be with more than a little sadism on my part that I am actively hoping that one of the comic book’s most memorable storylines comes to fruition. Carl losing his eye actually opens up a wealth of storyline potential and could be a defining moment in helping to transition that character from child to adult in the eyes of the audience.

Posted on October 10, 2015

Top 10 Zombie Films: Food for Thought

Dawn Keetley

It’s the premiere of season 6 of AMC’s The Walking Dead this weekend (October 11, 2015), and I have to start by saying that the series is, hands-down, in my humble opinion, the best zombie narrative in every way ever. But . . . when you’re not watching The Walking Dead, you have plenty of great films to sate the appetite for quality zombie fare.

There are also lots of lists out there detailing the best zombie films. (I found Zomboy’s Top 10 Zombie Movies on Bloody Disgusting to be one of the best, covering everything from the classics to the parodies.)[i]

I want to put a slightly different spin on things, offering you what I think are the ten most provocative zombie films. They’re great films—and they’ll also make you think.

Posted on October 9, 2015

The Walking Dead and the Return to the Forest

Dawn Keetley

With the upcoming release, in early 2016, of Jason Zada’s The Forest, with its retelling of Japanese myths of people going to the Aokigahara Forest to die, I’ve been thinking about the return, as it were, of plants, trees, forests in recent horror film and TV. Not least in AMC’s The Walking Dead.

The Walking Dead is, of course, shot (and mostly set) in the beautiful lush landscapes of Georgia—and I definitely felt the absence of the richly enveloping, even devouring, vegetation as I was watching Fear the Walking Dead’s LA landscapes.

The vegetation of The Walking Dead is much more than background, though. There is a resonant connection between the vegetation and the walkers. Not least walkers often lurk in and stagger through fields and forests, blending in more and more as they decay.

Posted on October 8, 2015

The Walking Dead and The Sympathetic Zombie

Elizabeth Erwin

As a pop culture juggernaut that shows no signs of slowing down, AMC’s The Walking Dead is the unusual zombie narrative that has managed to capture the attention of both horror and non-horror fans alike. With its sly humor, grotesque kills and nuanced characters, the show both reflects and reimagines the ways in which zombies can be used to create a distinct sense of dread. But unlike their living dead predecessors, the zombies of The Walking Dead are not mere monsters. Instead, the show offers a zombie construct that is both identifiable and malleable. While it would have been easy to cast the zombies as simple monsters, the show often challenges its audience to sympathize with the zombies. The end result is a much more complicated and socially aware narrative.

The notion of a sympathetic zombie seems at first contrary to the genre. After all, zombies are traditionally designed to be decaying shells whose threat revolves around their complete lack of intent. Steve Bruhm notes that zombies serve as a “barometer of the anxieties plaguing a certain culture at a particular moment in history.” Season one of The Walking Dead reflects this thinking in its utilization of zombies as the main source of the narrative’s horror. Where The Walking Dead succeeds in remaking the horror of the zombie is in its gradual personalization of it. The zombies occupy, intentionally, both an impersonal and a personal position within the narrative.