Season 4 of FX’s American Horror Story premiered October 8, 2014, with Freak Show. Set in 1950s Jupiter, Florida this season rethinks the truths behind post-war “normality” that still permeate society today. Frequently people reflect upon the 1950s with nostalgia or through the lens of the television set, with shows like Father Knows Best (1954-1963) and The Donna Reed Show (1958-1963). What they tend to see is the grey flannel suits, the Levittowns, and pearl-clad housewives who find fulfillment through vacuuming and raising children. Freak Show takes the images and prescriptive behaviors from the 1950s and recasts normality in the spirit of Grace Metalious’ Peyton Place (1956).
The Last Winter, a 2006 film by Larry Fessenden, offers a provocative spin on the “revenge of nature” sub-genre of horror. The monster is . . .oil? Well, maybe. Set on a base in the “untapped” Arctic National Wildlife Refuge in northern Alaska, a group of environmentalists and oil company workers are mapping the region for locations for drill sites and access roads. Strange things start happening, though, and it’s precisely in the very strangeness of its events that The Last Winter gains much of its compelling force.
Seeing and Slaughtering in The Texas Chain Saw Massacre (1974)
Dawn KeetleyHorror films have long been recognized for their ability to reflect troubling social and political concerns: it’s one of the many things that makes horror films valuable, makes them more than just a reveling in shock and gore. The most powerful horror films, moreover, continue to engage with social issues well after their particular moment of production. Tobe Hooper’s 1974 film, The Texas Chain Saw Massacre, does exactly this. While the film is certainly on one level about the cataclysmic events of the late 1960s and early 1970s, it is also about the politics of meat-eating and industrial slaughter, both of which remain compelling issues in 2015.
To be fair, any list of my very favorite horror films would be significantly longer than ten titles. But these are the ones that I find myself returning to time and again. These are also the films I would shove into the hands of those who just don’t “get” horror. Atmospheric and memorable, this collection of titles demonstrates that what is deemed horrific is often dependent upon the time in which the film was made.
This list took considerable thought, and given my issues with commitment it will surely change any given day. I tried to stay loyal to the films that give me that special feeling when I think about horror throughout my life. Whether it was the joy of sneaking out of bed to watch something I wasn’t allowed, something that gave me nightmares, something thought provoking, or just a great horror flick, I picked the films that make me light up at the mention of horror. It is worth noting some honorable mentions that just missed the cut… Killer Klowns From Outer Space (1988), Creepshow 2 (1987), and Wrong Turn (2003) not to mention my undying love for horror comedies such as Young Frankenstein (1974), Beetlejuice (1988), and Serial Mom (1994).
Please enjoy a chronological list of my current favorites (with corresponding descriptions from IMDB) Read more