Browsing Tag

Archive

Night of the living dead
Posted on May 6, 2020

Night of the Living Dead ™ – Remix (Review)

Guest Post

Premiering in early 2020, with a successful UK tour cut short by theatre closures in the wake of COVID-19, Night of the Living Dead™ – Remix is the latest production by imitating the dog. As a performance collective, imitating the dog are known for their breadth – from stagings of comic serials to musical theatre, and from adaptions of classical novels, including Heart of Darkness (2018), to Cold War spy dramas. Now, turning to a darker Americana aesthetic, their new ‘remix’ of George A. Romero’s Night of the Living Dead (1968) is a striking new entry to the imitating the dog catalogue.

stage scene of zombies

Photography Credit: Ed Waring

The original Night of the Living Dead was a ground-breaking take on a horror icon which dates back to Golden Age Hollywood cinema. Beginning with Victor Halperin’s voodoo-themed The White Zombie (1932), the zombie evolved through war-time 1940s films, including the Nazi-themed King of the Zombies (Jean Yarbrough, 1941), and through 1950s imaginings of speculative nuclear wars, including Creature With the Atom Brain (Edward L. Cahn, 1955). Romero’s landmark film shook off the zombie’s supernatural origins and transformed it into a living and visceral threat which turned the spotlight onto profound injustices at the heart of US society. Read more

A Nightmare on Elm Street remake promo still 1
Posted on April 30, 2020

Is Samuel Bayer’s A Nightmare on Elm Street Really That Bad?

Guest Post

A Nightmare on Elm Street
Directed by Samuel Bayer
Rated R for strong bloody horror violence, disturbing images, terror, and language.
Run time: 1hr 35min
Author’s note: This review contains spoilers.

When this reimagining of A Nightmare on Elm Street was released ten years ago, it received less than favorable reviews. Some horror fans didn’t even bother to watch it. Understandably, most people had no interest in seeing anyone other than Robert Englund play Freddy Krueger. They were afraid Jackie Earle Haley would tarnish the image of their beloved horror icon. But, were their fears justified? The answer is yes, and no. Read more

Ganja & Hess vampire
Posted on April 28, 2020

Bloodlust And Blues Beyond Blacula: Ganja & Hess

Guest Post

Originally financed to capitalize on the success of Blacula in 1973, Bill Gunn’s Ganja & Hess (1973) uses a distributor-mandated focus on vampires as the framework to make an elliptical, arthouse horror that threads together the many faces of the vampire myth (seducer, blasphemer, carrion creature) to make an inward-facing investigation of the perils and pressures of assimilation on Black people in America.

The plot is introduced through a trio of devices that lets us get used to the dreamlike nature of the film’s universe. Text title cards fill in the basic outline, while a gently crooning singer provides additional context. A voice-over completes the trio, speaking of the same events in the present tense, though we have yet to see them happen.

Wealthy anthropologist Dr. Hess Green (Duane Jones) is stabbed three times by his crazed and suicidal research assistant, George Meda (writer/director Bill Gunn). This attack with an ancient ceremonial dagger infects Hess with a disease that grants him both near immortality and a thirst for human blood. Soon after, Hess meets his former assistant’s wife, Ganja (Marlene Clark). Though Ganja is initially concerned about her missing husband, she soon joins Hess as his partner in marriage and vampirism. Read more

Posted on April 23, 2020

We Know How It Ends…and Yet: Alma Katsu’s The Deep

Guest Post

I read Alma Katsu’s last novel, The Hunger, because it was about the Donner Party’s fate. I knew going in things were going to be bad for the Donners and the families that followed them out west; slow starvation, ill-planning, and death buried in the snow-covered mountains. What I was not expecting was the horror Katsu created in such a constricted narrative. She was magically able to thread superstitious doubt, panic, and fear in a way that made reading the ill-fated journey less of an exercise in schadenfreude and more nail-biting. I am still scared when I think of passages in that book, so my anticipation for her latest novel, The Deep concerning the fates of the RMS Titanic and her sister ship the HMHS Britannic was palpable to say the least.

Both ships go down within four years of each other, and both sank due to the hubris of men enthralled by capitalism and war. While I may not know the history here as well as I did with The Hunger, I know Katsu is up against the challenge of reader expectations. The Deep is a strong novel and though tackling a historical tragedy so profoundly embedded in our cultural memory, it manages to build tension about exactly how the tragedy will unfold. As with The Hunger doubt, terror, and superstition haunt the characters and equalize them across the economic divisions that the Titanic made so clear. In The Deep, Katsu delivers another novel with a refreshing take on a story well-told. Read more

Posted on April 17, 2020

Demons or Ghosts? Hauntings in Connecticut

Guest Post

During a pandemic, watching horror movies can be therapy.  Supernatural horror tends to have religious themes, but ironically a strange short movie series “based on true events” has swapped fabricated religions for the “actual” entities.

One of the strangest horror movie titles is The Haunting in Connecticut 2: Ghosts of Georgia.  Apart from the fact that Georgia is over 800 air miles from Connecticut, and considering that the two stories are unrelated, some obvious questions arise.  The solution is a little bit of a letdown, admittedly, but still part of a larger and intriguing story connecting horror and religion.  It goes like this:

In 2002 the Discovery Channel was test screening for a series called A Haunting.  The first two cases were A Haunting in Connecticut and A Haunting in Georgia.  Although unrelated (except by title) these two made-for-television movies were aired and then packaged together for purchase in DVD format.  These days they’re more easily found via streaming, but packaging things together implies important portents. Read more

Back to top