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Posted on February 4, 2018

Better Watch Out and the Era of Trump

Elizabeth Erwin

Despite being filmed in Australia, Chris Peckover’s Better Watch Out (2016) is a film that very much feels like it belongs in Trump’s America. From the way wealth and privilege are leveraged to create a veneer of normalcy to the intersection of male privilege and childhood, this film’s messaging is situated directly in those conversations being held in the American cultural sphere.

The film’s storyline is a relatively simple one. Having arrived at the Lerner residence to babysit 12-year-old Luke (Levi Miller), Ashley’s (Olivia DeJonge) expected quiet evening takes a dramatic turn when she is forced to guard her charge and his best friend, Garrett (Ed Oxenbould), against a home intruder. But things quickly take a turn when Ashley discovers that her biggest threat comes from the person she’d least suspect. Read more

Posted on February 3, 2018

3 Films That Can Help You Understand Phantom Thread

Guest Post

Phantom Thread is Paul Thomas Anderson’s latest film, and I left the theater trying to figure out what to make of it. The story is simple: dressmaker Reynolds Woodcock (Daniel Day-Lewis) meets a waitress, Alma (Vicky Krieps), and they begin a relationship in which she becomes his new muse and must find her role in her new life while vying for his attention with Reynolds’ high-class clients and his sister, Cyril (Lesley Manville). Soon, Alma begins to assert herself as the primary woman in Reynolds’ life and eventually demonstrates the implications of that role to him and the audience. Phantom Thread is a beautiful movie but the great camerawork and outstanding performances hide layers of meaning based principally on the complicated relationship at the center of the movie.

Although the film is a romance, there are some horror and thriller elements that helped me comprehend what was happening. To understand some of these aspects of the film better, I recommend thinking about it in relation to Alfred Hitchcock’s Rebecca and Psycho, as well as Olivier Assayas’ Personal Shopper.

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Posted on January 29, 2018

5 Horror YouTube Channels Worth Watching

Elizabeth Erwin

As you may have heard, YouTube recently dropped the bomb that only channels having 1,000 subscribers and 4,000 hours of watch time in the past twelve months (as of February 20) are eligible for monetization. For creators, especially those featuring horror related content, who, thanks to YouTube’s wonky algorithm, already faced increased obstacles in monetization, this decision has profound financial implications.

Because we appreciate the value content creators bring to the table, we wanted to highlight a few of our favorite channels in the hopes that you will go forth and subscribe/watch their work. While each of these channels offers up a unique contribution to the horror community, they all provide valuable content to fans. And though our list is far from exhaustive, there does exist a fantastic playlist of additional horror based channels available for your viewing pleasure.

Here is our list of the top 5 horror themed YouTube channels you’ll want to check out ASAP: Read more

Posted on January 26, 2018

10 Horror Films about Sleep Disorders

Dawn Keetley

Sleep is becoming one of the crisis points of late modernity, as the steady encroachment of the “24/7” plugged-in world only intensifies sleep’s already uncanny nature.[i] To sleep is to slip into a realm of darkness, irrationality, and the supernatural. This realm is not only profoundly opposed to the contemporary illuminated world, but it has always lain uncomfortably close to death. Indeed, the Western way of sleeping has been described as a “lie down and die” model.[ii] To walk or talk while sleeping, moreover, is to act in ways divorced from the world of light and reason, to act without volition and the consent of the mind. The body that acts becomes something other than the person it appears to be; it generates uncanny doubles and evokes the profoundly uncanny uncertainty as to whether, as philosopher Dylan Trigg puts it, “‘I’ am truly identifiable with my body itself.”[iii] Horror films in the twenty-first century in particular have turned to sleep to exploit its inherently uncanny nature and the way it suggests that we are not always in control of who we are and what we do.

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Posted on January 24, 2018

Horror and Scripture Call for Manuscripts

Guest Post

Lexington Books/Fortress Academic is pleased to announce a new series: Horror and Scripture. The series seeks monographs that explore horror, monsters, and the monstrous in early Jewish and Christian scriptures (including canonical and non-canonical texts). Books in the series will be grounded in the discipline of biblical studies, but will exhibit a wide range of methodological diversity, including, for example, film studies, psychoanalytic theory, anthropological approaches, monster theory, and postmodern readings.

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