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Posted on September 7, 2024

Fate in Film: A Deterministic Approach to Cinema, by Thomas M. Puhr

Guest Post

Below are the opening pages of a fascinating 2022 book by Thomas Puhr, Fate in Film, about determinism in film–much of which is horror, including Under the Skin, Hereditary, Midsommar, Us, Gus Van Sant’s Psycho, and Michael Haneke’s American Funny Games. We highly recommend.

INTRODUCTION

“You’ve Always Been the Caretaker”

When introducing compatibilism, my undergraduate philosophy professor drew a crude maze on the blackboard with a stick figure at its entrance. She traced the figure’s possible paths with diverging sets of arrows and explained how it had, say, a choice between left or right at a given T-junction (free will), but was prohibited from continuing straight (determinism). As this simple exercise illustrates, compatibilism’s deliciously ambiguous response to whether or not we have free will can be boiled down to: “Well, sort of yes, sort of no.”

Posted on December 26, 2023

The Place Called Dagon – Herbert S. Gorman’s Folk Horror Novel

Guest Post

by

Philip Jenkins

Baylor University

The current fascination with folk horror as a genre began with British contributions in cinema and literature, and that focus is still obvious, despite all the efforts to broaden and globalize the narrative. Even today, the American part of the story is still seriously under-valued, particularly early writings that long precede the British wave of the 1960s. If I was looking for the first ever piece of writing in folk horror, I would make the case for Nathaniel Hawthorne’s short story “Young Goodman Brown” (1835), while Shirley Jackson’s “The Lottery” (1948) is an obvious early classic. Here, I want to highlight a work that still stands among the very first full-length novels in this tradition written in any country, and one that already at its early date fulfils all the criteria for the folk horror label. This is The Place Called Dagon, by Herbert S. Gorman, published in 1927. Although it is poorly known today, it still makes for very rewarding reading.

Posted on December 9, 2022

“Bodies Bodies Bodies” pile up in a trenchant tale of affluent anxiety

Guest Post

Privileged paranoia is rarely as enjoyable as in Halina Reijn’s English language feature film debut – a sharp, sarcastic slasher stabbing away at the elite’s self-obsession and self-loathing. A devastating lack of meaning serves both as the origin and outcome of a hilarious horror that is simultaneously physical, psychological and parodistic. The Danish director’s genre gem cunningly mimics mainstream cinema’s detachment from lower-class reality by zooming in on a prototypical group of upper-class kids. Their hurricane party set in a friend’s mansion is crashed by their estranged friend Sophie (Amandla Stenberg).

The recently recovered addict brings her new girlfriend, eastern European Bee (Maria Bakalova), the only one unfamiliar with the affluent apathy of the spoiled sextette she’s to stay with. Belligerent host David (Pete Davidson), his theatrical girlfriend Emma (Chase Sui Wonders), self-righteous Jordan (Herrold), pretentious podcaster Alice (Rachel Sennott), her older Tinder date Greg (Lee Pace) and Sophie are, as Emma puts it, “rich” or “rich rich.” They scoff at Bee trying to contribute to the expenses by bringing food, spill expensive champagne, toy with antique armor and play the titular game. Read more

Posted on November 27, 2020

Courses in Horror from Borderlines Open School

Guest Post

Borderlines Open School for Advanced Cross-Cultural Studies is offering some courses in the new year that will definitely be of interest to horror fans:

Why Lovecraft? Why Now?

(January 4–February 1, 2021)

Instructor: Rebekah Sheldon

https://borderlinesopenschool.org/courses/p/whylovecraft

In this course we will focus on the New Weird, a group of 21st-century authors who are rewriting Lovecraft’s oeuvre and taking his images in dramatically new directions.

The Politics of Horror
(February 17–March 10, 2021)
Instructor: Bethany Doane
https://borderlinesopenschool.org/courses/p/horrorpolitics

In this course we will approach horror as an inherently (politically) ambiguous genre, situating its representational politics and ideological subtext alongside its aesthetic effects, and thereby complicating simple readings to think through a range of possible interpretations.

For more information on Borderlines Open School for Advanced Cross-Cultural Studies, feel free to visit: https://borderlinesopenschool.org/.

Posted on March 16, 2019

7 Exceptional Recent Irish Horror Films Ranked

Dawn Keetley

Irish horror film has definitely been undergoing a renaissance recently and so, for this St. Patrick’s Day weekend, I’ve created a list of the best recent Irish horror, ranked. They are all excellent, though. Click on the “Read more” link to get the full review and the trailer.

Bojana Novakovic as besieged mother in The Hallow

The Hallow (Corin Hardy, 2015). Irish folk horror film, The Hallow follows a couple, Adam and Claire Hitchens (Joseph Mawle and Bojana Novakovic), along with their baby, Finn, who go to stay in a house deep in the Irish forest, which has just been sold for development. They discover there is a frightening truth to local folklore about “the hallow”—fairies and other supernatural creatures who want humans to stay out of their woods. Read more.