What follows is my list of films which reveal the horrors of caregiving. The role of caretaker requires you to give something of yourself, sometimes giving more than you have to offer. This is a precarious assignment that takes a toll on the physical as well as the psychological self. One must make moral decisions and selflessly sacrifice time, patience, and dreams. Ineffective caregivers sow the seeds of lasting consequences for themselves and others. Needless to say sometimes there is a backlash for giving so much of one’s self. (For the purposes of this list, I tried to stay away from using examples of parents as “caregivers”.)
FILMS:
A Cure For Wellness
Due for release in February 2017, this Gore Verbinski directed psychological horror has stirred my interest. The cyclical story has me wondering what they are hiding up there in the Swiss Alps. As one man goes to retrieve the CEO of his company from a wellness spa, his own well-being is tested. Will he fall victim to what ails all those who walk through these doors, or will he escape intact? “Only if we know what ails us, can we find a cure.” If you are looking for jump scares and the such, this might not be for you as it is shaping up to be more of a slow building contemporary gothic film that taps in to your senses.
Women in Horror Film Festival Call for Entries
Dawn Keetley/ Uncategorized2016 has been a bad year in so many ways (there’s even been a horror movie made about it!) but there were some fantastic horror films released this year—and here’s our top ten. These are all terrifying films, but thought provoking at the same time. So I don’t get repetitious, let me say from the beginning that all ten of these films are superbly acted and directed. And if there’s one of them you haven’t seen yet, make it a new year’s resolution!
The Monster is written and directed by the extremely talented Bryan Bertino, who also directed and wrote the 2008 home invasion film, The Strangers—a film that would certainly make my list of the best films of the 2000s. The Monster shares some of the things that make The Strangers a great film: its plot is spare, focused (without distraction) on the palpable threat to its isolated protagonists; it succeeds in very large part because of the undeniable strength of its actors: Zoe Kazan and Ella Ballentine are just as brilliant in The Monster as Liv Tyler and Scott Speedman were in The Strangers. And, in both films, Bertino expertly weaves in a larger frame of meaning—religion and the presence of evil in The Strangers (as I wrote about elsewhere) and the complicated love (and hate) of mother-daughter relationships in The Monster. Read more