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Day of the Animals

a closeup of a lion looking out at its kingdom
Posted on April 26, 2025

Environmental Anxiety: Talking Day of the Animals (1977) and Nature’s Grave (2007)

Podcast

In this episode, we’re exploring the intersection of environmental anxiety and horror cinema via the tangled roots of eco-horror. In Day of the Animals (1977), high altitude radiation stemming from the hole in the ozone layer triggers an animal uprising in the mountains and leaves a group of stranded hikers battling the elements and each other. In Nature’s Grave (2007), a troubled couple descends upon a remote beach where their careless and, at times, cruel treatment of the natural world finally causes nature to push back. Both films serve as generative time capsules in understanding our current escalating climate crisis and leave us wondering what happens when the natural world refuses to stay silent. We’re breaking it all down today with spoilers so stay tuned.

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Posted on April 22, 2016

Day of the Animals (1977): EcoHorror for Earth Day

Dawn Keetley

Day of the Animals (William Girdler, 1977) is a bad (dare I say, so bad it’s good) disaster / revenge-of-nature ecohorror film that screams seventies. Its plot is simple: a group of assorted characters, who shouldn’t be hiking in the best of circumstances, head up into the mountains just as animals start massing and trying to kill all humans—a phenomenon apparently caused by the thinning ozone layer.

There’s bad acting and plot holes as big as those in the ozone layer (not least, after a violent confrontation, one group chooses to continue up the mountain, yet is thereafter shown trekking down, while the other group, which chose to go down the mountain, is subsequently shown hiking up). There’s utterly horrible dialogue and baffling character development—and more than a few offensive comments thrown at the one Native American character. (I won’t even go into how the women are portrayed!)

2. Day of the Animals, JensonThe incomparable Leslie Nielsen (yes, one reason to see the film) plays a character who starts out as a straightforward obnoxious advertising executive, yet before long he mutates into a bare-chested survivalist, screaming into the rain, declaring allegiance to “Melville’s God,” shoving a mother and her child violently onto the ground, trying to rape a young woman (after telling her, “You belong to me. I own you”), stabbing a man through the abdomen with a walking stick, and then grappling (willingly) with a very large grizzly bear. The only possible excuse for this startling series of events might be that he is the lone person affected by the depleted-ozone-layer-induced madness that otherwise affects only nonhuman animals.  You have to make that leap yourself, though, because the film doesn’t. Read more

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