The doppelgänger or double has long been a part of the horror tradition (Check out this comprehensive survey by Aaron Sagers at Paranormal Pop Culture), but it’s garnering new interest with Jordan Peele’s Us hitting the theatres on March 22, 2019. Peele’s new “monsters” are “The Tethered,” and they are perfect doppelgängers of the central family of four, on vacation in Santa Cruz, California. So far, there’s not too much information about where these doubles come from or why, so it’s going to be interesting to see how much explanation Peele offers. As with most horror film monsters, less is usually more, so I’m hoping he’ll be restrained. Peele is on record as having said that he was inspired in part at least by the Twilight Zone episode “Mirror Image” (1960), which he watched as a child. But there’s another narrative from the mid 20th century in which a character confronts his exact double, one that is definitely worth watching: Basil Dearden’s The Man Who Haunted Himself, released in 1970 and based on Anthony Armstrong’s novel, The Strange Case of Mr. Pelham (1957), which was itself based on his short story, “The Case of Mr. Pelham,” published in Esquire on November 1, 1940. Armstrong’s story was also adapted in the Alfred Hitchcock Presents episode, “The Case of Mr. Pelham” (1955), directed by Hitchcock.
Cam is a quite extraordinary film, taking the horror genre into relatively uncharted territory. Directed by Daniel Goldhaber and written by Isa Mazzei, Cam centers on Alice, played brilliantly by Madeline Brewer, an “erotic webcam performer” (stage name of Lola), who is determined to move up the ranks at FreeGirls.Live. In one disconcerting moment, however, her world gets upended. She turns on her laptop to discover none other than herself performing live. What follows is straight out of a nightmare as Alice tries to get the service techs at FreeGirls.Live to fix the problem and then gives up and tries to fix it herself—all the while seeing on screen an exact double of herself. Alice’s double, moreover, seems determined to prove that she can succeed vastly better at being “Lola” than Alice herself.