- Horror Movie - Horror Homeroom

Posted on April 15, 2025

Freddy on the Grassy Knoll – A Nightmare on Elm Street and the JFK Assassination

Guest Post

Adam Pasen

Stop me if you’ve heard this one: something horrific happens in the 1960s on a street called Elm. The murderer is subsequently killed in an act of vigilante justice, but that isn’t the end of it. In a series of bizarre “coincidences,” those involved start to die… gruesomely. Despite the mounting evidence that some sinister force is at play, any challenges to the official narrative are silenced. Those who investigate too deeply and try to warn others are labeled crazy or “conspiracy theorists.” And the deaths continue.

Yes, this is the plot of A Nightmare on Elm Street… the story of homicidal maniac Freddy Krueger who murders twenty kids in the 60s and is killed by a vengeful mob before returning in dreams to continue wreaking havoc. However, it is also an exact description of the assassination of John F. Kennedy, who was shot while driving down Elm Street in Dallas, Texas on November 22, 1963. Although the Warren Commission concluded there was no conspiracy, independent researchers continue to fight the alleged cover-up to bring the truth to light (cough cough… Nancy Thompson).

Posted on April 10, 2025

The Alt-Right at the End of the World: Knock at the Cabin’s Affirmative Apocalypse

Guest Post

Abby Trainor

Paul G. Tremblay’s The Cabin at the End of the World (2018) and its film adaptation Knock at the Cabin (2023) present a “uniquely twenty-first century” (Tremblay 157) type of horror: how physical violence can spawn from a digital/cyber space. Both novel and film feature a queer married couple and their daughter being held hostage by doomsdayers who genuinely believe that the world will end unless someone from the family kills another. Unlike Cabin at the End of the World’s ambiguity about whether the apocalypse will actually occur, the adaptation guts the original critique of religious dogma, misinformation spread by for-profit media, and how the two have combined to create the perfect conditions to foster a rising cult of people willing to resort to vigilante violence. The film’s positioning of the four invaders as heralds of the truth may seem minor, but it shifts the meaning from a critique to a narrative embrace of hate-filled ideologies.

Posted on April 3, 2025

A Haunting in Alola – Ghost Narratives in the Pokémon Franchise

Guest Post

Reece Goodall

The Pokémon franchise is full of ghosts and spirits even outside of their Ghost-type Pokémon, and the appearance of such paranormal activity dates back to the first title. In Red/Blue, a young girl NPC in Lavender Town asks the player about an unseen white hand on their shoulder after inquiring whether they believe in ghosts (Figure 1). In the battle with the Ghost-type specialist Phoebe in Omega Ruby/Alpha Sapphire (2014), a ghost girl appears behind her in a chair – the camera then tracks towards the player character as if sharing the ghost’s point of view. In one of the franchise’s most famous and unexplained mysteries, in X/Y, a ghost appears behind the player in a lift in Lumiose City, freezing the game to state ‘no, you’re not the one’ before floating away.

Posted on March 23, 2025

Capitalism Hates You – by Joshua Gooch

Guest Post

Capitalism hates us. We needn’t look far for proof. Firestorms, hurricanes, floods, derechos—capitalism is inimical to the continued existence of life on Earth. Twenty-first century investment banks may trumpet their commitments to climate policy, but the people who run so-called responsible investing units show how little they care about this destruction. In a 2022 conference presentation, the head of responsible investing for HSBC’s asset management unit said: “Climate change is not a financial risk that we need to worry about. . . . Who cares if Miami is six meters underwater in 100 years? Amsterdam’s been six meters underwater for ages, and that’s a really nice place. We will cope with it.” It is precisely this lack of concern that we see in the Trump administration’s assault on the regulatory state, in billionaires constructing apocalypse hideaways, and in the global rise of fascism. Capitalism encourages those with resources to assume that they’ll be able to cope, while the rest of us burn, drown, or starve.

Posted on March 14, 2025

In the Twilight Zone: The After Hours in Severance

Dawn Keetley

In Severance’s latest episode, “The After Hours” (season 2, ep. 9), the show makes its most direct reference yet to another television series. Could it be more appropriate that it’s The Twilight Zone? Specifically, the thirty-fourth episode in season one, “The After Hours,” which aired on June 10, 1960. For those of us who like to look for hidden references, this one isn’t much of a challenge (“The After Hours” = “The After Hours”). The directness of the reference continues near the end of Severance’s episode when Harmony Cobel and Devon are smuggling Mark into the Damona Birthing Retreat, and Harmony seems to be giving some kind of password to the guard: “Marsha White. Ninth floor,” she says, adding “Specialty Department. I’m looking for a gold thimble.” The Twilight Zone’s “The After Hours” begins with Marsha White taking the elevator to the ninth floor – the Specialities Department – looking for a gold thimble.

Now that Severance has directly evoked The Twilight Zone’s “The After Hours,” the similarities are striking and many. The ninth floor of the department store to which Marsha White is whisked does not – as far as the “normal” world is concerned – actually exist. We see multiple shops of the elevator indicator going up only to the eighth floor and then the roof. As several characters say to a bewildered Marsha White who leaves the ninth floor and then tries to get back to it, “There is no ninth floor.”