A couple of articles have suggested that the 2019 Pet Sematary (directed by Kevin Kölsch and Dennis Widmyer) amplifies the “folk horror” of Stephen King’s novel (1983) and of Mary Lambert’s film (1989). It does, perhaps most noticeably in the addition of the masked children forming a “procession” to the cemetery (though this ritual ends up being much less important to the film than the trailer makes it appear). As I began thinking about Pet Sematary as folk horror, though, it occurred to me that the film actually seems more akin to what we might call “folk gothic”—and that there is a significant difference between the two.[i] So, while recognizing the slipperiness of both “folk horror” and “folk gothic,” this essay represents my effort to think through, with Pet Sematary, what “folk gothic” is.[ii]
Irish horror film has definitely been undergoing a renaissance recently and so, for this St. Patrick’s Day weekend, I’ve created a list of the best recent Irish horror, ranked. They are all excellent, though. Click on the “Read more” link to get the full review and the trailer.
- The Hallow (Corin Hardy, 2015). Irish folk horror film, The Hallow follows a couple, Adam and Claire Hitchens (Joseph Mawle and Bojana Novakovic), along with their baby, Finn, who go to stay in a house deep in the Irish forest, which has just been sold for development. They discover there is a frightening truth to local folklore about “the hallow”—fairies and other supernatural creatures who want humans to stay out of their woods. Read more.
I’m co-organizing a conference on folk horror at Falmouth University September 5-6, 2019 (check out the call for papers), and so I thought I’d get a running bibliography going of the great stuff that’s been written about folk horror. You’ll find it below, and I’ll be regularly updating it. Please add things I’m missing in the comments or message me.
Some things are linked, but, for some, you may have to go traipsing through old, possibly haunted libraries. The lead image here is from “The Tractate Middoth” (2013), Mark Gatiss’s TV adaptation of the story by M. R. James, a man who knew all about haunted libraries.
Calibre is a brilliant Scottish thriller released in 2018 and directed and written by Matt Palmer, who has previously made two short horror films, The Gas Man (2014) and Island (2007). The film features two late-twenty-something men, Vaughn (Jack Lowden) and Marcus (Martin McCann) who head from Edinburgh up into the Highlands to hunt, an activity Vaughn is less than enthusiastic about. They arrive at the Highland village of Culcarran (filmed on location in Leadhills and Beatock in South Lanarkshire) and head straight out for a raucous night at the local pub, replete with enticing local girls. Vaughn, who has a pregnant fiancée, resists temptation and only talks with Iona (Kate Bracken), but Marcus does rather more with the clearly dangerous Kara (Kitty Lovett). Despite hangovers, both men head off the next morning to hunt deer, as planned, but they’re involved in a terrible accident and almost immediately lose control of the spiraling, out-of-control consequences.
Love it or hate it, Pet Sematary (1989) remains one of the most controversial entries in the Stephen King cinematic oeuvre. Today we are diving into this controversial examination of grief and looking at all the ways in which the movie transgresses against cultural taboos. Does the movie’s most shocking moments still hold up?
The entire Horror Homeroom crew is here and we’re talking Jud’s questionable nature, what Zelda brings to the story, whether we should be watching the movie as folk horror and so much more!