Under the Shadow marks the directorial and writing debut of Iranian-born Babak Anvari. Having screened at film festivals in mid-2016 (the film notably won best film prize at the Neuchâtel International Fantastic Film Festival), Under the Shadow opened in select theaters and on VOD on October 7. Netflix has acquired the rights to the film, so it will eventually be even more widely available. And that’s a very good thing because Under the Shadow is one of the best independent horror films released in the last few years—in the company of The Babadook (Jennifer Kent, 2014), It Follows (David Robert Mitchell, 2014), and The Invitation (Karyn Kusama, 2015).
Author: John Young
Horror movies have a fan base unlike any other. On our Twitter account, @gorehorcom, we ran weekly polls in an attempt to figure out what elements make for a great horror movie.
Like any group of horror fanatics, we wondered what makes some films better than others. This led us to use our Twitter account to engage in a little market research. What we did was run weekly polls to see what our followers’ favorite horror films are. After four rounds, we ran a final round to pick an overall winner. The poll results uncovered some interesting trends. Read more
The Other Side of the Door (2016) and Wake Wood (2009): Folk Horror and Grief
Dawn KeetleyDEFYING DEATH IN THE HORROR FILM: Since at least Pet Sematary (1989), we’ve known it’s not a good idea to try to bring loved ones back from the dead. Indeed, this theme goes back still further. What was Frankenstein (1931), in the end, if not a warning about what happens when you raise the dead? But if horror is at bottom about the inevitability of death, it’s also about our efforts to defy that inevitability—efforts that are at the same time heroic and dangerously hubristic. Both The Other Side of the Door and Wake Wood demonstrate this in terrifying fashion.
The release last week of The Other Side of the Door (2016), directed by Johannes Roberts, written by Roberts and Ernest Riera, and starring Sarah Wayne Callies (The Walking Dead, Colony) and Jeremy Sista (Six Feet Under, The Returned), is a dramatic manifestation of the fact that we’ll never get over (or around) the implacability of death.
Indeed, we can see the persistence of the human desire to overcome death in the fact that The Other Side of the Door is strikingly similar to another relatively recent Irish folk horror film—Wake Wood (2009), which was directed by Arthur Keating and stars Aidan Gillen (Game of Thrones), Eva Birthistle (The Children), and Timothy Spall (Harry Potter, Mr. Turner). Both films are worth watching, both in and of themselves and also because of what their similarities say about an enduring theme of horror. Read more
In the Irish folk horror film, The Devil’s Woods, four friends (Keith, Jen, Jay, and Katie) head from Dublin to a music festival in the country, with the intent of camping in the woods. On the way, they run afoul of some unfriendly locals in the wonderfully-named local pub, The Hatchet Inn, and then, once in the woods, they are inexplicably terrorized by strange figures in masks.
Here’s the trailer:
Earlier this week I was asked to create a twenty minute training presentation as part of a job interview. In their gross misstep, I was encouraged to train the team on “anything”. It was mentioned that previous candidates had done trainings on how to make a peanut butter and jelly sandwich, or even how to do the perfect round house kick. Bouncing between ideas of how to cast spells from Harry Potter and teaching the team how to count and sex horseshoe crabs, (if you had any doubt about my nerd credentials, I believe this confirms it) I opted to go with a power point presentation on “How To Survive an 80s Horror Film”.
While working on the presentation, I found myself thinking about the ways that horror permeates broader culture. It is a well-known fact that there have been several horror comedy films and spoofs such as the Scary Movie franchise. But that is too obvious. Likewise, hip hop has borrowed elements of horror for emphasis within rap lyrics.[i] I looked back on my many nights watching USA Up All Night with Rhonda Shear and I immediately thought about the film Summer School (1987). For all you fans of Agent Gibbs on NCIS, this film is worth a look. More important to this brief analysis, are the characters of Chainsaw (Cameron) and Dave (Riley).
Chainsaw and Dave are presented as a little left of center at first. In an attempt to impress a beautiful foreign exchange student, they put on a display that involves lots of fake blood and some vicious bunnies. Only to be met with the source of their inspiration, Anna-Maria (Udenio) saying, “It’s disgusting…I love it!” These guys don’t fit the mold, none of the kids in Summer School do, not even the teacher. They might love prosthetic limbs, gore, and outlandish attire, but they are really good kids. More prominently, Chainsaw and Dave are able to turn negative labels on their ear by challenging the principal’s assessment of the kids as “psychopaths”. Read more