Midnight Mass

When Midnight Mass, Netflix’s latest horror hit series, took the horror fandom by storm on social media, I knew I was in for a treat. And I was not disappointed. Mike Flanagan has been producing solid horror projects ever since his powerful and eerie haunted house horror, Oculus (2013). His works tend to explore our relationship with trauma using horror narratives to elevate the affective responses. In his latest effort, Midnight Mass, Flanagan shifts his focus to religious beliefs as a means to explore trauma and violence. Many other writers have highlighted Flanagan’s nuanced criticism of “faith,” which sets the series apart from other less empathetic religious-horror fare. Like other mainstream discussions of religion in popular culture, these analyses and deep readings of the series offer all-encompassing conclusions using vague and often complex terms such as “faith,” “religion,” and “cult” without much critical unpacking. What sets Midnight Mass apart from other religious-horror films, such as The Exorcist (1973), Midsommar (2019), or Red State (2011), is its awareness of the devastating effects of neoliberal capitalist ideology on charismatic Christian movements.

Before analyzing Midnight Mass, let me clarify both aforementioned terms. Charismatic Christianity is a religious movement that emphasizes an individualist approach to Christianity. It highlights a personal relationship with Jesus, prophecy and biblical literalism, glossolalia, faith healings, and other “gifts” from the Holy Spirit. In essence, in charismatic Christianity, practices are understood to be less about the community and more about the individual. For example, in Charismatic Catholicism, a movement heavily inspired by its Protestant counterpart, the Eucharist, representing communal worship, becomes less important as more individualized forms of worships are put forth. Read more