- Horror Movie - Horror Homeroom

Posted on December 25, 2021

Midnight Mass and Spiritual Abuse

Guest Post

Content Warning: This article discusses heavy spoilers for Midnight Mass, manipulation, and emotional and spiritual abuse.

Horror holds a mirror up to your psyche and dares you to look at your own risk: it’s a realization of your worst fears. Mike Flanagan’s Midnight Mass (streaming on Netflix) is no different. And for me, a devoutly religious person (Protestant, if you’re curious), the image within the dark mirror of my psyche is the specter of a trauma I’ve survived: spiritual abuse.

Most dedicated horror fans are well aware that abuse can be perpetrated through psychological and emotional means.[i] Spiritual abuse is a similar beast. WebMD defines spiritual abuse as: “Any attempt to exert power and control over someone using religion, faith, or beliefs.”[ii] And Midnight Mass is a veritable hit parade of red flags for spiritual abuse. This post aims to compare every bullet point within WebMD’s guide to spiritual abuse against what the residents of Crockett experience in Midnight Mass.[ii] Read more

priest in a white robe on the pulpit with open arms

Posted on October 13, 2021

How Mike Flanagan’s Midnight Mass Criticizes Charismatic Christianity & Christian Nationalism

Guest Post

When Midnight Mass, Netflix’s latest horror hit series, took the horror fandom by storm on social media, I knew I was in for a treat. And I was not disappointed. Mike Flanagan has been producing solid horror projects ever since his powerful and eerie haunted house horror, Oculus (2013). His works tend to explore our relationship with trauma using horror narratives to elevate the affective responses. In his latest effort, Midnight Mass, Flanagan shifts his focus to religious beliefs as a means to explore trauma and violence. Many other writers have highlighted Flanagan’s nuanced criticism of “faith,” which sets the series apart from other less empathetic religious-horror fare. Like other mainstream discussions of religion in popular culture, these analyses and deep readings of the series offer all-encompassing conclusions using vague and often complex terms such as “faith,” “religion,” and “cult” without much critical unpacking. What sets Midnight Mass apart from other religious-horror films, such as The Exorcist (1973), Midsommar (2019), or Red State (2011), is its awareness of the devastating effects of neoliberal capitalist ideology on charismatic Christian movements.

Before analyzing Midnight Mass, let me clarify both aforementioned terms. Charismatic Christianity is a religious movement that emphasizes an individualist approach to Christianity. It highlights a personal relationship with Jesus, prophecy and biblical literalism, glossolalia, faith healings, and other “gifts” from the Holy Spirit. In essence, in charismatic Christianity, practices are understood to be less about the community and more about the individual. For example, in Charismatic Catholicism, a movement heavily inspired by its Protestant counterpart, the Eucharist, representing communal worship, becomes less important as more individualized forms of worships are put forth. Read more

black and white line drawing of a faceless priest

Posted on October 4, 2021

Midnight Mass Takes us to the Church of Dread

Guest Post

I have done my best to write a spoiler-free piece about Midnight Mass. Light spoilers are unavoidable, but I promise I have preserved the most major of twists and turns.

Horror centered on faith and religion has percolated through the genre since its earliest days, stories sprouting from the festering fears of demons, witches, and the Devil in all his incarnations. It is a sub-genre rife for use, and one that gashes nerves, especially for the more devout audience members. I would not consider myself a religious person, but I grew up hearing about my father’s time in a Catholic seminary, a path he opted out of just before the priesthood. I like to joke that I ended up with all the guilt and none of the fun stuff like faith. As I discovered my love of horror, we talked about The Exorcist, a movie he deemed the most terrifying thing he had ever seen because of its Catholic roots. When I finally watched the film it was unsettling, although not as disturbing to me as it was to him. What did stick with me was Father Karras’s grappling with life, death, and trauma. I invoke that film, and that character because Mike Flanagan’s new limited series Midnight Mass is about as Catholic as horror can come, and through his writing and directing, Flanagan filters the hopes of horrors of humanity through the faith and traumas of Crockett Island’s small and isolated community. Read more

Posted on December 5, 2020

Repressed Sexuality and Guilt in Bly Manor

Guest Post

The Haunting of Bly Manor proves itself to be a true masterpiece in its complexity of characterization. A young American woman named Dani (Victoria Pedretti) takes on the position of an au pair for two young orphaned children at a rural English manor. In a previous piece, I explored how the creators of the show used supernatural possession as a metaphor for the “possession” that happens in relationships. There is, however, an underlying theme that runs parallel to Dani’s discovering her own identity outside of her lifelong romance: her embracing of her own sexuality.

Posted on November 9, 2020

The Haunting of Bly Manor and Relationships Past

Guest Post

The long-awaited follow-up season to The Haunting of Hill House has finally arrived to overwhelmingly positive reviews. The Haunting of Bly Manor, although similar to its predecessor on the surface, is actually a far cry from Hill House. A young American woman named Dani (Victoria Pedretti) takes on the position of an au pair for two young orphaned children at a rural English manor. She is hired by their Uncle Henry (Henry Thomas) who reveals to Dani that the position had proven troublesome to fill because the previous au pair, Miss Jessel (Tahirah Sharif), died by suicide while on the job. When Dani arrives at the estate, she finds there was far more to the original story of Miss Jessel than she was led to believe. Her fascination with her predecessor’s life causes Dani to reflect upon her own recent loss. At Bly Manor, the ghosts of the house are not necessarily the spirits themselves; they are the individuals, both living and dead, and the relationships that consume them. The Haunting of Bly Manor explores the ways in which possessive relationships act as the catalyst for characters becoming possessed through supernatural means. Read more