In today’s episode, Australian horror takes center stage courtesy of Danny Philippou and Michael Philippou’s Talk to Me (2023). In the film, Mia, who is grappling with the imminent second anniversary of her mother’s death, attends a party with Jade, her best friend, and Riley, Jade’s brother. There, they are given the opportunity to commune with the spirit world via an embalmed hand. Predictably, things do not go according to plan. With unrelenting hype and a domestic box office gross outpacing other A24 releases, the film is a potent hybrid of gore and dread but is it the best horror film of the year so far? We’re breaking it all down today with spoilers so stay tuned!
Always Check Your Candy: Talking Trick ‘r Treat
Elizabeth Erwin/ PodcastIn today’s episode, we’re kicking off the spooky season with Michael Dougherty’s Trick ‘r Treat (2007). Told in an anthology format with non-linear storytelling, the film is a virtual shoutout to Halloween lore making it a cult classic among horror fans. But does it deserve its reputation? We’re breaking it all down today with spoilers so stay tuned!
Mentioned in this episode:
Keetley, Dawn. “Trick or Treating in Halloween Movies.” Horror Homeroom, 7 October 2016.
McIntosh, Matthew A. “Samhain: The Celtic Inspiration for Modern Halloween.” Brewminate: A Bold Blend of News and Ideas, 30 October 2020.
Vorel, Jim. “In Praise of Trick ‘r Treat, the Ultimate ‘Halloween Night’ Movie,” Paste, 29 October 2017.
In today’s episode, it’s part two of our deep dive into shark horror with Renny Harlin’s Deep Blue Sea (1999). Blending science fiction with horror, the film follows a crew of researchers as they try to replicate in sharks the brain cells of people with Alzheimer’s Disease. Predictably, the experiment does not end well. Known for its divisive heroine, campy reinterpretation of animal attack tropes, and some truly epic CGI sharks, Deep Blue Sea is the rare shark horror film that resists demonizing the sharks. But is that a good thing? We’re breaking it all down today with spoilers, so stay tuned!
Mentioned in this episode:
- Sign the petition to have release its footage of the original ending to Deep Blue Sea
- Our podcast on Crawl (2019)
- Gwen’s take on Deep Blue Sea.
- Tugan, Nuray Hilal. “Neoconservativism in the Science-Fiction Cinema: The Representation of Neoconservativism in Deep Blue Sea (1999).” International Journal of Eurasia Social Sciences / Uluslararasi Avrasya Sosyal Bilimler Dergisi, vol. 9, no. 31, 2018.
Blood in the Water: Talking Shark Night (2011) & The Shallows (2016)
PodcastIn today’s episode, we are diving into the depths of cinematic terror with Jaume Collet-Serra’s The Shallows (2016) and David R. Ellis’s Shark Night (2011). In The Shallows, a young woman on a pilgrimage to her late mother’s favorite surf haunt finds herself stranded on a rock as she faces off against a relentless great white shark. In Shark Night, a group of unsuspecting friends gather for a little lakeside R&R, only to find themselves being stalked by an assortment of toothy terrors. While both films ostensibly fall under the subgenre of ‘shark horror,’ their differing approaches have us considering the utility of the ‘shark as monster’ trope. Do these films offer up waters chummed with spine-tingling suspense and jaws-dropping scares? We’re finding out in today’s spoiler filled episode, so stay tuned!
REQUIRED READING
- BERGER, JOHN. “WHY LOOK AT ANIMALS?.” LITERATURE AND THE ENVIRONMENT; LEMNAGER, S., SHEWRY, T. EDS (1980): 32-42.
- CLASEN, MATHIAS. “EVOLUTIONARY STUDY OF HORROR LITERATURE”
- FUCHS, MICHAEL. “LOOKING THROUGH THE BEASTS EYES?: THE DIALECTICS OF SEEING THE MONSTER AND BEING SEEN BY THE MONSTER IN SHARK HORROR MOVIES”
- KEETLEY, DAWN. BLAKE LIVELY DOESN’T NEED A BIGGER BOAT IN THE SHALLOWS.
- LATTANZIO, RYAN. “JOHN CARPENTER HAS NO IDEA WHAT THE TERM ‘ELEVATED HORROR’ MEANS”
RELATED REVIEWS AND ESSAYS OF INTEREST
In today’s episode, it’s a disturbing journey into the misleading world of social media courtesy of Kurtis David Harder’s Influencer (2023). The story follows social media influencer Madison (Emily Tennant), who is in Thailand for what was supposed to be a romantic getaway with her boyfriend, Ryan (Rory J. Saper). But her lonely and mundane reality is shown to be completely at odds with the exciting, friend-filled adventures she portrays online. When a chance meeting with local CW (Cassandra Naud) offers Madison an opportunity to turn her lies into truth, she embarks on a dark journey where image is definitely not everything. Equal parts eviscerating indictment of influencer culture and cautionary tale about the importance of skepticism, Influencer is a film specifically of its time. But is that a good thing? We’re breaking it all down today with spoilers, so stay tuned.
We discussed Kurtis David Harder’s 2019 film Spiral in an earlier podcast.