On today’s episode it’s creepy kids meets arthouse violence with 1976’s Alice, Sweet Alice. Arguably more Giallo than classic slasher, this film merges religious iconography with straight up taboo to reflect a specifically 1970s horror sensibility. But despite a rabid cult fanbase, this movie never quite ascended to the heights of other well known slashers of the era but why? We’re breaking it all down on today’s episode so stay tuned.
In this episode, we are heading back to 1987 with Joseph Ruben’s The Stepfather. Inspired by the horrific murders committed by John List, this movie doesn’t just deconstruct the myth of the nuclear family, it detonates it…and sets it to a slamming 80s soundtrack. We’re talking conservative values run amuck on this episode, so stay tuned!
And you can catch up on all the podcast episodes here!
Follow Horror Homeroom on Twitter, Facebook, Instagram, and Pinterest.
The image of the screaming female in horror films is so ubiquitous that it has become a hallmark of the genre. And it is an image that has garnered more than its fair share of controversy. In a special episode of At the Movies that aired in 1980, film critics Gene Siskel and Roger Ebert decried the barrage of Halloween film rip offs that were popping up in theaters on an almost weekly basis. At the center of their critique was the argument that these films victimize women and are inherently anti-feminist. Read more
Indie Darlings: Talking Sweetheart (2019) and Spiral (2019)
Elizabeth ErwinOn today’s episode we’re handling with scare two film festival darlings: J.D. Dillard’s Sweetheart and Kurtis David Harder’s Spiral. Genre hybrids with political messages very much in the cultural zeitgeist, both films are currently garnering buzz on social media. But do they deserve the accolades? We’re talking movie monsters, Republicans and representation in this episode, so stay tuned!
In this special episode of Horror Homeroom Conversations, we’re talking about what movies have scared the hell out of us over the years. From irascible aliens to malevolent ghosts to religious zealots, we’re breaking down our biggest fears and thinking about why it is that we are so drawn to horror.