I’ve had lots of conversations with people about Trey Edward Shults’ recent film It Comes at Night (2017)—about what it means, how to interpret the ending, and what “It” is. This post is most definitely for those of you who have seen the film and who want to think more about it (so–spoiler alert). Here are five different opinions on what happens and what “It” might be.
Bokeh (2017) is a beautiful film, shot on location in a deserted Iceland. It’s worth watching solely for the landscape and the cinematography (by Joe Lindsay), yet there is more than that to Bokeh. Not least, it stars the talented Maika Monroe (The Guest [2014], It Follows [2014]) as well as Matt O’Leary, playing characters who respond in entirely different ways to the cataclysm that strikes them and without whose undeniable abilities the film would have fallen flat, left to depend only on its landscapes.
The film follows a young couple, Jenai and Riley, who are on a dream vacation (Riley’s dream) in Iceland. They wake up one day to find that everyone in the town, indeed seemingly everyone on the planet, is gone. The film is not about the event itself—there’s a flash in the sky and that’s it: the event is not dramatized and it’s not explained. Instead, the film is about what Jenai and Riley do once they’ve discovered that they are utterly alone and far from their home. The power is still on, the Internet is working, they have cell phone service. There are just no humans left besides themselves.
taking horror seriously so you don't have to
