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Review

Posted on November 24, 2015

#Horror Review (2015)

Dawn Keetley

101 mins   | Tara Subkoff |   (USA)   |   2015

Grade: B

Synopsis: Six twelve-year-old friends gather for a sleepover at the fabulous Connecticut home of Sofia (Bridget McGarry), whose mother, Alex, is played by Chloë Sevigny. The girls alternately create various scenarios so they can upload pictures and verbally abuse each other. One of the girls, Cat (Haley Murphy), crosses the line, telling the one girl who’s not unhealthily thin, Georgie (Emma Adler) that she should kill herself. She’s kicked out of the house and soon the other girls realize they are being stalked online and then in deadly reality.

1. hashtag horror georgie by cow

#Horror is the writing and directorial debut of Tara Subkoff, actress and fashion designer. She has talked quite explicitly about her interest, in this project, in marrying the horror film to social commentary. Mentioning some of her favorite horror films and directors (Wes Craven, The Exorcist, Halloween, The Shining), she describes horror’s important work of “social commentary,” its way of “talking about politics.” Subkoff’s interest in social commentary pervades #Horror, which directly speaks to our obsession with electronic devices and social media. According to Subkoff, cultural narcissism is reaching boiling point: “we’re just obsessed with ourselves and promoting ourselves,” she said, in an interview on Quiet Earth.[i] Subkoff also takes aim at cyberbullying, as the girls in #Horror pass up no opportunity to ridicule and abuse each other in person and on social media.

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Posted on November 16, 2015

American Horror Story: Hotel and the Dual Self

Gwen

Only a few episodes into the fifth season of American Horror Story, the concept of the dual self has emerged time and again. This is not revolutionary as historically, society loves a great binary.[i] Consider Freud’s concepts of Eros and Thanatos, or on a more basic level think about Donald Duck in Donald’s Better Self (1938) where he battles between his inner angel and devil. This notion that we have dual drives or dual selves seems ingrained. Theoretically, it is humans’ ability for a higher level of thought that distinguishes us as a species, but it is exactly this penchant for thought that also drives us mad. It is telling that Hotel uses the peephole as a symbol, since the peephole can be seen as a portal to the other side of the door. It reveals the outside of your inside, only visible through one side, posing a distorted view through the other. There is no clear reality through the peephole.

In American Horror Story: Hotel the characters straddle several dichotomous worlds. Like a sadistic see-saw, each person tries to navigate life/death, visible/invisible, light/dark, control/unregulated, and reality/mind until they discover who they really are. Supporting this binary world is the language of the hotel’s inhabitants: within the first five episodes several characters, including Iris (Kathy Bates), Sally (Sarah Paulson), Detective Lowe (Wes Bentley), Liz Taylor (Denis O’Hare), and the Countess (Lady Gaga), articulate the fractured self: “We have two selves and there are some places inside that have sat too cold and dark for too long.” “Control is an illusion, and I gave into the illusion.” “Feeling invisible? You see everything and the world doesn’t see you.” “We have two selves; one the world needs us to be, compliant, and the Shadow. Ignore it and life is forever suffering.”

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Posted on October 13, 2015

The Walking Dead Season 6 Premiere Review

Elizabeth Erwin

Grade: B+

While The Walking Dead has played with challenging storytelling before, most notably in the love ‘em or hate ‘em bottle episodes, tonight’s foray into nonlinear storytelling was a bold narrative move that potentially resets the show. Not only does it play with the audience’s perception of what we think we know about these characters, but it also sets up the potential for our hero to become our villain. Instead of turning into a tour de force of pyrotechnics and fighting prowess like last season’s opener, “First Time Again” was actually a very quiet character piece in which every survivor was given a moment to shine.

This was not an episode designed to inspire shock and awe (my bet is that is coming next week) but was the proverbial calm before the storm. For as much as the promos promised a showdown between the ideologies of Rick and Morgan, “First Time Again” was less about grandiose philosophies coming head-to-head and more about the ways in which seemingly unremarkable encounters can alter how we see the characters we think we know. From Abe’s (Michael Cudlitz) dangerous search to feel alive to Sasha’s (Sonequa Martin-Green) shockingly Zen state, the episode took great pains to highlight how these characters and their worldviews are shifting. Read more

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