The interaction between movie and television horror is a complex one. The horror genre has long straddled the two media types (for which there is no collective name, surprisingly) for many years. Dark Shadows (ABC, 1966–1971) began as a television daily created by Dan Curtis, but then, near the end of the series, two independently standing cinematic stories emerged in House of Dark Shadows (Curtis, 1970) and Night of Dark Shadows (Curtis, 1971). The flow moves in the other direction as well. A couple of contemporary television movies, The Night Stalker (John Llewellyn Moxey, 1972) and The Night Strangler (Dan Curtis, 1973) led to the weekly television series, also on ABC, Kolchak: The Night Stalker (Jeff Rice, 1973–1974). Both movies were produced by Curtis. Although Kolchak lasted for only one season, it had tremendous influence.
Before we meet Charlie (Milly Shapiro), the younger of the Graham family’s children in Ari Aster’s 2018 film Hereditary, we’re already worried about her. It’s the morning of her grandmother’s funeral, and her father, Steve, played by Gabriel Byrne, can’t find her anywhere. Exasperated, he finally wakes Charlie in the treehouse. “You could catch pneumonia!” he warns.
“It’s okay,” she says, but Charlie is not okay.
She evinces a flat affect—Charlie is not so much passive aggressive as just passive. She couples this quality with a pathological carelessness. At 13, Charlie demonstrates less concern about her serious food allergy than many 5 year-olds. Constantly munching on sweets, she has an appetite for the types of food that could be fatal to her. Charlie’s radical insouciance seems to suggest that she has inherited the family’s history of mental disorder, but her troubles resist diagnosis. She doesn’t seem depressed. Is she on the autism spectrum? The characters of Hereditary overtly reference a number of mental disorders, but never one in regard to Charlie.